In December, the actor Dustin Hoffman sat in a box seat at the Kennedy Center as his old friend, Robert De Niro, saluted him at a celebration marking one of the highest accolades for an artist in the United States: a Kennedy Center Honor.
I was baffled by the cover of The New York Times Magazine two Sundays ago. You may remember that the headline of the cover story was: "George Saunders Has Written The Best Book You'll Read This Year." I was baffled because the only George Saunders I could think of was that old movie star who was always playing cads in films like Rebecca and All About Eve.
At Sunday's Golden Globes, Ben Affleck looked genuinely surprised and delighted twice toward the end of the evening: first when he won best director for Argo, and then again when the film won for best motion picture/drama.
The film, which Affleck produced and in which he also stars, is the mostly true story of the CIA operative who helmed the rescue of six U.S. diplomats who managed to escape at the outset of the 1979 Iran crisis that held 52 Americans hostage for 444 days after militants took over the American Embassy in Tehran.
For many years, it didn't occur to Bishop Gene Robinson — the first openly gay bishop in the Episcopal Church — that he might retire before age 72, the mandatory retirement age for Episcopal bishops. But then, in 2010, Mary Glasspool, who is also openly gay, was elected bishop suffragan in the Diocese of Los Angeles and, for the first time, Robinson reconsidered his retirement plans.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
Grant Green, The Holy Barbarian, St. Louis, 1959 could be the name of a fine stage play, perhaps based on the actual circumstances of the recording. One musician on the way up, another past his moment in the limelight and one more who had his chance but never quite made it all convene on Christmas night, part of their week-long stand at the Holy Barbarian, a beatnik hangout replete with chess players and a local artist painting portraits.
This interview was originally broadcast on May 7, 2012.
Lena Dunham was just 23 years old when her second feature film, Tiny Furniture, won the best narrative feature prize at the South by Southwest Film Festival. The movie's success led to Dunham striking a deal with HBO for a comedy series about a group of 20-something girls navigating New York City.
Of all the cable comedies returning with new episodes Sunday, Girls is the most ambitious — as well as the most unpredictable, and occasionally unsettling.
When thirtysomething premiered on ABC more than 25 years ago — yes, it's been that long — that drama series was both embraced and attacked for focusing so intently on the problems of self-obsessed people in their 30s. What that drama did for that generation, Girls does for a new one — and for an even younger demographic, by presenting a quartet of young women in their mid-20s.