Fresh Air

Weekdays, Noon-1pm

An award-winning show and one of public radio's most iconic programs, Fresh Air is a weekday "talk show" that hardly fits the mold. The show is produced by WHYY.

Fresh Air opens the window on contemporary arts and issues with guests from worlds as diverse as literature and economics. Terry Gross is known for her extraordinary ability to engage guests of all dispositions.

Comic Bo Burnham was still in high school when the satirical songs he posted on the Internet went viral — making him one of YouTube's first stars. Now 27, he's taken a turn behind the camera with a new film, Eighth Grade, that looks at what it's like to grow up in the age of social media.

The film centers on a socially awkward 13-year-old girl named Kayla who's navigating the final year of middle school. Burnham says the character was inspired by a period in his early 20s when he was dealing with panic attacks onstage.

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TERRY GROSS, HOST:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Geoff Nunberg (@GeoffNunberg) is a linguist who teaches at the School of Information at the University of California at Berkeley.

"Great Britain and the United States are two nations separated by a common language."

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TERRY GROSS, HOST:

Growing up in North London in the 1960s and '70s, Viv Albertine never dreamed that one day she'd be a rock star. For one thing, she says, "There [were] just no role models ... I never heard of anyone, any female playing guitar."

Eventually she did learn of female rockers, including Suzi Quatro and The Runaways. But Albertine says she "was aware of how constructed they were by male managers."

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

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DAVID BIANCULLI, HOST:

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DAVID BIANCULLI, HOST:

After seeing Eighth Grade, Bo Burnham's enormously affecting new movie, you might assume that a lot of the dialogue was improvised. Most of it was, in fact, carefully scripted, which makes it all the more remarkable: It's been a while since I've heard a screenplay so fully master the awkward, hesitant rhythms of everyday teen speak. Burnham's young characters talk in long, rambling but more-or-less coherent sentences, each thought punctuated with a perfectly timed "um" or "like" or "you know."

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