Oliver Wang

When rapper Kool Keith and producer Dan the Automator recorded the original Dr. Octagon album in 1996, it felt like they invented a sub-genre of "weird rap." Keith already had a (poppa) large reputation as a wizard of non-sensical rhymes dating back to this days with New York's Ultramagnetic MCs.

The first thing you notice about almost any song by The Shacks is that voice. Singer Shannon Wise wields a mesmerizing wisp, silky and lambent, like curls of smoke swirling into a moonlight sky.

Spoiler alert: DAMN. opens with Kendrick Lamar narrating his own shooting death at the hands of a blind assailant. This seems to be a tradition amongst Los Angeles rappers: Lamar's most obvious predecessor, Ice Cube, rapped about dying at least three times on his first two albums. The shared message from both artists is that violent ends can arrive unexpectedly, especially if you're young, black and male.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

In the last week of 2016, we're featuring just a few of the songs that, for whatever reason, never got their due this year.

"Never Be Another You" opens with a striking effect: It's like listening to lumbering footsteps splashing through puddles of reverb. That plinking sound — possibly from a vintage synthesizer or drum machine — is otherworldly, but the rich, earthy resonance of Lee Fields' vocals provides an anchoring counterweight; his voice is gravity.

In 2013, Nicole Wray and Terri Walker teamed up to form Lady, a pair of new-school R&B singers kicking a decidedly old-school soul flavor. Since then, Walker's peeled off — leaving behind Lady Wray, who cheekily nods to her new solo act with the title of her forthcoming album Queen Alone.

The names James Brown and Apollo Theater have practically become synonymous; it's hard to think of one without the other. Beginning in 1963, Brown released three albums recorded there. But there was a fourth — recordings from Sept. 13 and 14, 1972 — that has been buried ever since. Now, Get Down with James Brown: Live At The Apollo Vol. 4 is finally out on vinyl, with a CD to follow this summer.

I'm not sure there's ever been a record release as confounding as the one for Kanye West's The Life Of Pablo. He's changed its title and track listing several times in as many weeks, and even up until the very moment I'm writing this, it's not 100 percent certain what will be on that final album, whenever and wherever it comes out.

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