Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
5:48 pm
Thu May 23, 2013

'We Steal Secrets': A Sidelong Look At WikiLeaks

Source material: As a virtual prisoner these days, he doesn't supply much in the way of fresh information — but WikiLeaks overlord Julian Assange is very much at the center of Alex Gibney's documentary We Steal Secrets.
Jo Straube Universal Pictures

Originally published on Thu May 23, 2013 7:52 pm

Current-events buffs probably think they know the tale of WikiLeaks and its founder, Julian Assange. Prolific filmmaker Alex Gibney may have thought the same when he began researching his film We Steal Secrets. But this engrossing documentary soon diverges from the expected.

Even the movie's title, or rather the source of it, is a surprise. Not to spoil the fun, but it's neither Assange nor one of his allies who nonchalantly acknowledges that "we steal secrets."

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Movie Reviews
5:03 pm
Thu May 16, 2013

'Bidder 70,' Still Raising His Hand To Be Heard

Supporters of environmental activist Tim DeChristopher picket outside his criminal trial. The economics student ran into trouble with the federal government when he bid on — and won — mineral rights he had no intention of exploiting.
First Run Features

In its final months, the George W. Bush administration hastily organized a mineral-rights auction for federal land in Utah, much of it near national parks. Environmentalist and economics student Tim DeChristopher attended the sale and — impulsively, he says — bid on and won 22,000 acres he had no intention of exploiting.

The feds came down on him like a ton of oil derricks. DeChristopher was threatened with as many as 10 years in prison, and ultimately spent 21 months behind bars.

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Movie Reviews
5:03 pm
Thu May 16, 2013

'Augustine' And Her Diagnosis Get Another Look

Augustine (the French singer-actress billed as Soko) was a 19th-century Paris housemaid diagnosed with the then-fashionable condition known as "hysteria" — a catchall used to label many ailments women suffered in that age.
Jean Claude Lother Music Box Films

Onstage, in front of an audience, the young woman seemingly goes into a trance, overcome by a power that shakes and contorts her. The commotion appears profoundly sexual; she grabs at her crotch as she writhes. When the woman reaches some kind of release, the spell is broken, and she becomes calm. She leaves the stage to enthusiastic applause.

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Movie Reviews
5:03 pm
Thu May 2, 2013

'In The Air,' A Sense Of Stakes For A '70s Youth

Christine (Lola Creton) and Gilles (Clement Metayer) are the sometime couple at the center of Olivier Assayas' smart, clear-eyed examination of a still-painful period in France's recent past.
Carol Bethuel MK/Sundance Selects

In the opening minutes of Something in the Air, the protagonist carves an "A" (for anarchy) into his school desk, and participates in a street demonstration that ends in a punishing flurry of police billy clubs. "The revolution's near," apparently — to quote the 1969 Thunderclap Newman hit that provides the film's title.

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Movie Reviews
5:03 pm
Thu April 18, 2013

Building A Home For A Client Who Can't Live In It

Artist Jackie Sumell set out to build a dream home for bank robber Herman Wallace, whose additional conviction for killing a prison guard is the subject of a long-running dispute.
First Run Features

The off-screen protagonist of Herman's House, Herman Wallace, already has a dwelling for his body: a 6-foot-by-8-foot cell at the Louisiana State Penitentiary, aka Angola. But the documentary's on-screen protagonist, Jackie Sumell, wants him also to have a place for his soul: a dream house for a man who desperately needs dreams.

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Movie Reviews
5:03 pm
Thu April 11, 2013

A Hazy Ode 'To The Wonder' Of Hidden Worlds

Jane (Rachel McAdams) rekindles an old affair with the taciturn Neil (Ben Affleck), an environmental investigator whose work takes him to a remote Oklahoma town in the enigmatic new film To the Wonder.
Mary Cybulski Magnolia Pictures

Pretty but inert, To the Wonder is a vaporous mystery wrapped in a gauzy enigma — a cinematic riddle that'll appeal principally to those eager for another piece, however tiny, of the puzzle that is Terrence Malick.

To the Wonder continues in the lyrical-to-a-fault mode of the writer-director's The Tree of Life; in fact, this film includes some footage originally shot for that one. But it excludes Rachel Weisz, Amanda Peet, Barry Pepper, Jessica Chastain and Michael Sheen, who all reportedly played roles that vanished from the final cut.

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Movie Reviews
5:03 pm
Thu April 4, 2013

Robert Redford Keeps Revolutionary'Company'

Jim (Robert Redford) must flee with his daughter, Isabel (Jackie Evancho), to the scene of a past crime in order to avoid a probing amateur reporter.
Doane Gregory Sony Pictures Classics

Crisp in execution and classic in ambiance, The Company You Keep is star Robert Redford's most persuasive directorial work since 1994's Quiz Show. It's a pleasure to watch, even if the payoff is rather less substantial than the backstory.

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Movie Reviews
5:03 pm
Thu March 28, 2013

'The Place Beyond The Pines': It's A Far Piece

Angsty stunt performer Luke (Ryan Gosling) quits the circus and becomes a busybody father after a former girlfriend reveals she's had his child.
Focus Features

There are moments, as Derek Cianfrance's Blue Valentine informed us, when the barely controlled rage that is masculinity can be tempered by feelings for woman and child. But eventually the male Id will erupt, and everything will go to hell.

That happens more than once in Cianfrance's new The Place Beyond the Pines, a would-be epic that shifts from character to character and story to story to show how fury passes from fathers to sons. But too much of this seething drama is devoted not to characterization but to posturing.

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Movie Reviews
5:03 pm
Thu March 28, 2013

'Retaliation': Harsh Payback For Poor G.I. Joe

Duke (Channing Tatum) and Roadblock (Dwayne Johnson) are live-action G.I. Joes in the big-screen franchise's latest thoroughly disposable installment.
Jaimie Trueblood Paramount Pictures

What's the difference between an action figure and an action star? Very little in G.I. Joe: Retaliation, which features no performances of note, even from such combat-tested thespians as Bruce Willis, Jonathan Pryce and Dwayne Johnson.

The sequel to 2009's G.I. Joe: The Rise of Cobra, the latest Joe is a near-surrealistic mashup of serious themes and juvenile humor, realistic locations and cheesy CGI. Adapted to 3-D after it was shot, the movie is also one of the most aggressive examples ever of the chucking-stuff-at-the-viewer aesthetic.

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Movie Reviews
5:03 pm
Thu March 21, 2013

'No Place On Earth': Underground, A Story Of Survival

Sam and Saul Stermer, members of a family who hid in an underground Ukrainian cave in the early days of World War II, return to the hideout in No Place on Earth.
Magnolia Pictures

Christopher Nicola, the avid spelunker who introduces No Place on Earth, has an appetite for the dramatic.

"Every cave I enter has a secret," he intones, as the documentary cuts between Nicola's New York City home and his progress through tight underground passages.

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