Anastasia Tsioulcas

Anastasia Tsioulcas is a reporter and producer for NPR Music. She reports on a wide range of musical genres and music-industry topics for NPR's flagship news programs as well as for NPR Music.

Tsioulcas is intensely interested in the arts at the intersection of culture, politics, economics and identity. She has profiled musicians and dancers in contemporary Cuba, a punk drummer from Washington, DC who raced to preserve the artistic traditions of pre-civil war Syria, a band of Muslim and Jewish musicians from Algeria reunited after 50 years, and an interfaith group from Texas rooted in a 700-year-old singing tradition from south Asia. She has also brought listeners into the creative process of musicians like composers Steve Reich and Terry Riley.

As a video producer, she has created some of NPR Music's high-profile music documentaries and performances, including bringing cellist Yo-Yo Ma to a Brooklyn theatrical props warehouse and pianist Yuja Wang to an icy-cold Steinway & Sons piano factory in Queens. Tsioulcas also produces some of the episodes in NPR Music's much-lauded Tiny Desk Concert series, and has hosted live concerts from venues like the Metropolitan Museum of Art and New York's (Le) Poisson Rouge. She has also commissioned and produced several world premieres on behalf of NPR Music, including a live event that brought together 350 musicians on the steps of the Brooklyn Public Library.

Tsioulcas has reported from across Europe, north and west Africa, south Asia and Cuba for NPR and other outlets. Prior to joining NPR in 2011, she was widely published as a writer and critic on both classical and world music, and was the North America editor for Gramophone Magazine and the classical music columnist for Billboard.

Born in Boston, Tsioulcas was trained from an early age as a classical violinist and violist. She holds a B.A. from Barnard College, Columbia University in comparative religion.

An impresario and producer who helped launch the careers of many marquee-name musicians, comedians and actors — including Bob Dylan, Woody Allen and Bruce Lee — has died. Fred Weintraub was 88 years old.

His wife, Jackie, confirmed his death to NPR. He died at their home in Pacific Palisades, Calif. on March 5, due to complications related to Parkinson's disease.

Last week, a fierce battle was pitched between the Austin, Texas-based music mega-festival South by Southwest (SXSW) and artists who took exception to a certain passage in the agreements which SXSW sends to its performers.

Practice is a physical activity, of course, but it's also hard mental work — if you're doing it right. A new video published by TED Ed gets down to the scientific nitty-gritty of what good practice looks like, and what it does to your brain. (Think axons and myelin, not "muscle memory" — muscles don't have "memory.")

Here's your "Awwww" and "Whoa!!" moment for today: a demonstration of a teeny-tiny, working pipe organ. It's an instrument made out of nothing but paper and cardboard (with one side covered by translucent plastic so that you can see its inner workings), and it's powered by nothing but an inflated balloon.

The Polish-born conductor and composer Stanislaw Skrowaczewski, who led the Minnesota Orchestra for nearly two decades and worked with that symphony for well over 50 years in total, died Tuesday at age 93.

A 1960s cult favorite is back: The Shaggs are going to be performing in June at Wilco's Solid Sound Festival in North Adams, Massachusetts.

Singer-songwriter Emel Mathlouthi is the voice of a generation — and in her new song, "Lost," this Tunisian artist makes it plain that the jittery uncertainty that many people are feeling right now is a global phenomenon.

"Lost" is a track from Ensen (Human), Mathlouthi's first album since her debut, Kelmti Horra (My Word Is Free), which was released in 2012. But by the time that the first album was released, Mathlouthi was already an icon: Her song "Kelmti Horra" was an anthem for a generation of Tunisians and other across north Africa.

One of the most joyful shows I've heard in years came courtesy of the clarion-voiced Afro-Venezuelan singer Betsayda Machado and her group La Parranda El Clavo, who made their New York City debut at the annual globalFEST festival in January.

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