The second collaboration between writer-director Zal Batmanglij and actress and co-writer Brit Marling is called The East, which happens to be the name of the movie's anti-corporate terrorist cult. Marling plays Sarah, an agent who infiltrates the group. She doesn't work for the FBI. Her employer is a private security and intelligence firm run by the sleek, profit-oriented Sharon, played by Patricia Clarkson. Its clients are Big Pharma, Big Oil, or Big Rich Any Corporation that, according to the group The East, poisons the world and everyone in it.
Cities like Houston are dotted with air-sniffing monitors that measure levels of benzene and other potentially unhealthy air pollutants. But those monitors can't answer the question we care about most: Is the air safe?
That's because there's no simple relationship between toxic air pollutants and health risks. Researchers at the University of North Carolina in Chapel Hill are trying to get a leg up on that problem. They are building an instrument that uses human lung cells to measure health hazards in the air more directly.
We are standing in front of a huge bank of screens, in the middle of which is a glowing map that changes focus depending on what the dozens of controllers are looking at.
The room looks like something straight out of a NASA shuttle launch. The men and women manning the floor are dressed in identical white jumpsuits. With a flick of a mouse, they scroll through dozens of streaming video images coming into the center.
Community activists in New York are angry after MillerCoors placed a Puerto Rican flag on a special edition, 24-ounce beer can. The can was designed to promote the annual Puerto Rican Day parade.
Parade organizers approved a commemorative Coors Light can adorned with a Puerto Rican flag in the shape of a big apple. The phrase "National Puerto Rican Day Parade, Inc." was also emblazoned on the can.
Organizers insisted on Friday that the can does not feature the Puerto Rican flag.
There's a part of basic cable that you might call "soft reality" — the unscripted shows where everybody is nice, almost all the stories are happy, the comedy is mostly gentle, and the main characters are meant to be very sympathetic. Soft reality loves pregnancy and childbirth, as seen on shows like A Baby Story and some of the shows about giving birth to multiples. (Jon & Kate Plus 8 started as soft reality and wound up as something else entirely.)
When most people think of Palm Springs, visions of softly baked desert landscapes come to mind. However, upon arriving at the Palm Springs Aerial Tramway, we were warned that the temperature differential between the desert and the top cliff of the Chino Canyon was about 30 degrees — cold enough that it would require warm clothing and an adventurous spirit. But Wild Nothing singer-songwriter Jack Tatum and his tour players were game to load onto the rotating tram car and ascend to more than 8,500 feet above sea level.
Not all music festivals are carnivals of noise, propelled by thudding drums and screeching guitars. In fact, for the annual Quiet Music Festival of Portland, which begins today, the goal is to experience calming sounds.
Among jazz musicians, especially in New York City, pianist Kenny Barron is considered an institution. He spent years in bands led by the likes of Dizzy Gillespie, Yusef Lateef and Stan Getz, and brings that wisdom to every note. He's put out dozens of albums, continues to write new music, and turns up in classrooms and on concert stages throughout the city. And he continues to play brilliantly, with clarity and ebullience alike — his latest album pairs him with an all-Brazilian band.
Originally published on Fri October 4, 2013 11:17 am
British producer and singer Jamie Lidell is one of electronic music's funkiest solo practitioners. When Lidell visited World Cafe in 2006 to support his successful album Multiply, he told host David Dye that he had been called the "one-man human funk tornado" — a moniker he earns yet again in this session.
In this installment of World Cafe, Lidell plays songs from his latest self-titled album and discusses the process of making the record at his new home studio in Nashville.