Ten years after the U.S. invaded Iraq, NPR is taking a look back, revisiting people and places first encountered during the war. In 2006, NPR aired a story about a 9-year-old girl who loved her father so much, she wrote him letters to take to work with him. Even after he died, in a carjacking that appeared to have a sectarian motive, she still wrote to him.
Sarah Brady has worked for tougher gun laws for decades. Her husband, Jim Brady, was shot in the head by John Hinckley when he attempted to assassinate President Ronald Reagan. Jim Brady was President Reagan's press secretary and has lived with a disability ever since. The Bradys founded the Brady Center to Prevent Gun Violence, which worked to pass a law that now bears their name, the Brady Bill.
And Sarah Brady joins us from her home in Virginia. Ms. Brady, thanks very for being with us.
SIMON: Spring has sprung with a doubleheader of baseball - spring training and the World Baseball Classic. Nothing classic, though, about the defeat of the U.S. team last night by Puerto Rico. They were eliminated but doesn't really matter. The Miami Heat continue the streak while a college team does too, just in the opposite direction. We're joined now from Sedona, Arizona by Howard Bryant of ESPN.com and ESPN the Magazine. Good morning, Howard.
Something suspicious is going on in Princeton, N.J., in the otherwise sleepy year of 1905. Children turn into stone. Spouses disappear into horse-drawn carriages. Snakes squirm up and down walls. Is it some kind of curse? What could the good people of Princeton have possibly done to bring a curse on themselves?
Since his 2000 literary debut, Aleksandar Hemon has been hailed as "a maestro, a conjurer, a channeler of universes." In books including The Question of Bruno and Love and Obstacles, he's written about archdukes and exiles; a Sarajevo, Bosnia-Herzegovina of memories; and a Chicago that's in your face.
The noisy film is mostly wordless, with animals and nature filling in the blanks between its strangely stark images.
Credit The Cinema Guild
Lucien Castaing-Taylor and Verena Paravel, co-directors of the new documentary <em>Leviathan</em>, at a public screening of their film. Both are members of Harvard University's experimental Sensory Ethnography Lab.
Leviathan is a documentary — and yet not a documentary. It's a near-wordless, almost abstract depiction of an 80-foot groundfishing boat heading out of New Bedford, Mass. The film's unusual structure and point of view has gotten rave reviews at festivals and from many critics.
Sometimes you don't know quite what you're seeing and listening to in Leviathan. You hear metal groaning and rasping, see fish, gloves and tools tossed about on a boat that's pitching and rolling in a roaring wind.