Originally published on Fri March 15, 2013 10:43 am
In the buildup to the climax of Brad Anderson's The Call, a character discovers what the film's villain has been doing with all the teenage girls he's been kidnapping and killing. It's a grisly revelation, and it's played for shock value — both for the audience and for the character making the discovery.
There's only one problem: Early in the film, the body of one of these girls is recovered. So the details of the killer's M.O. shouldn't come as any shock whatsoever to the character that discovers his lair.
There are some funny bits and characters around the edges of The Incredible Burt Wonderstone, but its core is empty of humor. In fact, this purported satire of Las Vegas magicians is a three-void circus: the script, the central character and the main performance.
The committee-written screenplay begins with the premise that, 20 years after the illusion-busting Penn and Teller set up in Vegas, there could still be a market for a pair of old-school tricksters who call themselves Burt Wonderstone and Anton Marvelton.
In 1963 Japan, Shun (voiced by Anton Yelchin) and Umi (Sarah Bolger) unite to preserve a beloved old building that serves as a clubhouse for young intellectuals at their seaside community school.
Though Umi can be seen as a representative of a younger, more modern generation, her love of tradition and respect for the past shows that midcentury Japan was about more than just rapid urban redevelopment.
Of the many wonderful qualities associated with the films of Studio Ghibli — the Japanese animation house co-founded by Hiyao Miyazaki, the visionary director of My Neighbor Totoro, Kiki's Delivery Service and Spirited Away — serenity may be the most key. Ghibli productions offer the stirring adventures and magical creatures of their American counterparts, and often operate by a wondrously mysterious internal logic, but they do so without feeling compelled to grab a young audience by the lapels.
Once known as the most beautiful avenue in the world, the Champs Elysees is changing. Some Parisians fear it's starting to look like any American shopping mall as high rents and global chains steadily alter its appearance.
"We just try to keep a sort of diversity on the Champs Elysees, with the cinemas, with restaurants, with cafes and shops," says Deputy Mayor Lynn Cohen-Solal. "We don't think the laws of the natural market, the free market, make for a good Champs Elysees."
Pictures of Newtown's Sandy Hook Elementary School shooting victims are displayed as Senate Judiciary Committee chairperson Dianne Feinstein speaks during a hearing on "The Assault Weapons Ban of 2013" at the Hart Senate Office Building in Washington, DC, on February 27, 2013.
There's always the temptation of heading to an Irish pub, grabbing a pint of Guinness and chowing down on some cabbage and potatoes when March 17 rolls around.
However, there's much more to Irish cuisine than that, says Rachel Allen, a well-known TV chef in Ireland who is appreciated for her simple, doable recipes that champion the country's fresh produce, meats and seafood.
The 10 stories in Claire Vaye Watkins' debut collection — Battleborn — explore the past and present of the American West, specifically Nevada, where Watkins spent much of her childhood and adolescence. On Wednesday, it was announced that the 28-year-old author had won two major literary prizes for Battleborn: the $10,000 Rosenthal Family Foundation Award from the American Academy of Arts and Letters, and the $20,000 Story Prize.