Sen. Jim DeMint, R-S.C., speaks to the media after a Republican caucus luncheon last year. He's joined by (from left): Sen. John Thune, R-S.D.; Sen. Lamar Alexander, R-Tenn.; Senate Minority Leader Mitch McConnell, R-Ky.; and Sen. Lindsey Graham, R-S.C.
Originally published on Fri December 7, 2012 8:51 am
When Thursday dawned in Washington, some things seemed certain: The fiscal cliff fight would continue; the National Christmas Tree would be aglow by evening, and Sen. Jim DeMint of South Carolina would continue to be the Senate's most important Tea Party voice.
So much for Washington certainties.
With his surprise announcement that he was exiting the Senate to head the Heritage Foundation think tank, a job that paid his predecessor $1 million annually, DeMint brought to an end his role as the Tea Party's godfather in the Senate.
In Hyde Park on Hudson — a sly, modestly subversive dramedy about a crucial weekend meeting between England's King George VI and American President Franklin D. Roosevelt on the eve of World War II — the diffident young monarch (Samuel West) confides his frustration over his lifelong stutter while the two men enjoy a postprandial drink expressly forbidden by their womenfolk.
Based on Beth Raymer's memoir, Lay the Favorite has a cheeky, double-meaning title that sets up the story and the irreverent tone with impressive efficiency; the reference is both to the gambling practice of betting for the favorite and to the heroine's generous sexual proclivities.
There's nothing particularly special about Edward Burns' wry family drama The Fitzgerald Family Christmas –-- but that makes it something of a relief amid the avalanche of overlong, big-ticket prestige films that comes tumbling into theaters this time of year.
You've probably seen some version of this story before: A crotchety and unreliable old man, long estranged from most of his family, attempts desperately to reconnect with them on Christmas Day. It's urgent, because he's harboring a Secret with a capital S.
As Hollywood movies increasingly strive for immaculate blankness, they have come to resemble Rorschach ink blots. For example, Playing for Keeps, a new movie about a divorced couple who just might reunite: Is it a heartwarming romantic drama? Or a cynical sex and sports comedy? There is no wrong answer, dear ticket buyer.
Originally published on Fri December 7, 2012 10:24 am
Something like deja vu takes hold during the opening shots of Donald Rice's debut feature, Cheerful Weather for the Wedding. With the insistent, urgent push of orchestral strings in the background, he offers up establishing shots of a bucolic English country manor, early 20th-century automobiles, and a bell ringing down in the servants' hall. That feeling of anticipation rising in many viewers' chests may be their hearts readying themselves for the tense post-Victorian drama of the popular TV series Downton Abbey, which is what that opening rather too directly recalls.
Everyone gets roughed up pretty bad in Deadfall, a pop-Freudian thriller set in Michigan's north woods. But nobody comes off worse than the out-of-towners: Australian star Eric Bana and Austrian director Stefan Ruzowitzky.
Originally published on Mon January 21, 2013 10:41 pm
Most young bands hope to get some kind of break or media exposure as soon as they possibly can. But as Django Django, a four-piece originally from Edinburgh, discovered, it's possible to get noticed a bit too early. In 2009, the group released its first single, "Storm," as a seven-inch through a friend's Glasgow-based record label. The song quickly stirred up buzz, but the group didn't have anything to release as a follow-up — "Storm" was truly the first thing they had ever done together.