Former Dallas Cowboys defensive lineman Josh Brent, who was drunk in December 2012 when the car he was driving crashed and his passenger — teammate Jerry Brown Jr. — was killed, was sentenced Friday to 180 days in jail, a $10,000 fine and 10 years of probation.
Former Virginia Gov. Bob McDonnell and his wife pleaded not guilty to corruption charges in front of a federal judge on Friday.
As we've reported, McDonnell and his wife, Maureen, have been charged with 14 counts, including conspiracy and wire fraud over allegations they took gifts from the CEO of a pharmaceutical company and in exchange provided Star Scientific with the "prestige of the governorship."
Originally published on Mon January 27, 2014 9:24 am
Jitterbug Vipers' members perform 1930s-style "viper jazz" with a rock 'n' roll twist. The Austin band's original music — crafted by singer Sarah Sharp, guitarist Slim Richey, bassist Francie Meaux Jeaux and drummer Masumi Jones — recalls swing classics by Duke Ellington, Count Basie and Cab Calloway.
On this installment of Song Travels, you can hear Jitterbug Vipers perform a set live in the studio. Host Michael Feinstein also sits down with Sharp to discuss the history of viper jazz and the inspiration behind the band's sizzling original music.
It's never easy making medical choices for family members who are too sick to speak for themselves. But researchers say families of the elderly should be ready to do so.
When people over 65 end up in the hospital, about half of them eventually need someone else in the family to make decisions for them, according to findings published in the latest issue of JAMA Internal Medicine.
Originally published on Tue January 28, 2014 10:11 pm
Actress' declarative 2008 debut Hazyville announced a new voice in underground British dubstep, at which point the electronic music producer (a.k.a. Darren Cunningham) began to push beyond the confines of that bass-heavy genre. By the time of 2010's Splazh, Actress was all but ignoring the tropes of dubstep, instead mincing modern R&B for a type of digital funk and Disclosure-esque vocal house (as in "Always Human") that delectably stayed just this side of abstraction.