Along with Moby, The Prodigy, Underworld and The Chemical Brothers, Orbital was influential in establishing a blueprint for today's thriving electronic dance-music scene. After an extended hiatus, Phil and Paul Hartnoll recently reunited for select live dates, including a performance in KCRW's studios. It's a treat to hear electronic classics like "Chime" sound as captivating and innovative as they did two decades ago.
Sometimes it pays to be somebody's little brother. Were it not for his fraternal ties, singer and multi-instrumentalist Asa Taccone probably wouldn't have been able to get acclaimed songwriter and producer Brian Burton (better known as Danger Mouse) to produce his band's debut album. Taccone's older brother, a friend of Burton's, asked the producer to listen to the songs his little brother had been working on and give some constructive criticism.
There's really been nothing like Trapped in the Closet ever before.
R&B star R. Kelly has been making (and remaking) a series of short music videos that tell a flamboyant narrative in less-than-five-minute installments. The first batch of several dozen appeared online in 2005. Now, there's a total of 40 "chapters" that aired last Friday on IFC, with the latest ones being released online one at a time for the next week.
It was almost spooky. Each night after 11 p.m., when nothing was stirring in the Kennedy Center Concert Hall, two men would enter. One would sit at the organ, playing a key or series of keys, and the other would crawl around inside the organ pipes, 40 feet off the floor. The process went on for months.
It was the all but final phase of installing a new organ for the Kennedy Center for the Performing Arts in Washington, D.C. And on Nov. 27, the organ makes its formal debut.
Have you ever wondered whether music conductors actually influence their orchestras?
They seem important. After all, they're standing in the middle of the stage and waving their hands. But the musicians all have scores before them that tell them what to play. If you took the conductor away, could the orchestra manage on its own?
I never heard of the Baroque composer Agostino Steffani until last year, when the Boston Early Music Festival presented the North American premiere of Steffani's Niobe, an opera about the mythical queen who bragged so much about her many children, the gods killed them all in revenge. One of the leading roles, Niobe's husband King Amphion, was played by the early-music superstar countertenor Philippe Jaroussky, who sang the opera's most sublime aria — a hymn to the harmony of the spheres. I couldn't wait to hear Jaroussky again, and was eager to hear more Steffani.
Originally published on Tue November 27, 2012 11:07 am
It's beginning to look a lot like craziness — end-of-the-year craziness, to be precise. Now that Gray Thursday has officially reduced Thanksgiving to carbo-loading for the holiday shopping marathon, many people's winter holidays have become little more than a massive spinout.