In the 1980s, Elliott Sharp was the height of New York City cool, a central part of that town's experimental music scene. His creations were inspired by advanced mathematical concepts. He tuned his guitars according to the Fibonacci Sequence and wrote challenging pieces inspired by fractal geometry.
Imagine you're strolling down a dark and steamy alley. In the distance, you think you overhear Adele jamming with some combination of country and bluegrass pickers. As you round the corner and get a look at the band, you realize it's actually Lake Street Dive: singer Rachael Price, drummer Mike Calabrese, bassist Bridget Kearney and guitarist Mike "McDuck" Olson.
Originally published on Fri October 5, 2012 12:17 pm
Pianist Ethan Iverson launched a debate last month when he evoked "the dark side" of musical competition — specifically, of the Thelonious Monk International Jazz Competition, whose semifinals and finals take place this weekend in Washington, D.C. Iverson took issue with overemphasizing technical convention, and with the very nature of judging art, making the somewhat hyperbolic suggestion that Monk couldn't have competed in the contest named for him.
Eric San, who goes by the name Kid Koala, plays the blues. But just as Kid Koala isn't a traditional blues name like Blind Lemon Jefferson or Doctor Ross the Harmonica Boss, he isn't a standard blues man.
Kid Koala is a DJ. Big turntables, fast hands, scratching old-fashioned vinyl records — the whole deal. Now, he's taken that DJ equipment and produced a "turntable blues" album titled 12 Bit Blues.
So how did a Canadian DJ discover the blues, exactly? San says it all happened in high school.
And then there were three — record labels, that is. Regulators in the United States and Europe have approved the acquisition of EMI Music by Univeral Music Group. The combined label will own close to 40 percent of the world music market with a trove of acts that includes The Beatles.
Originally published on Tue April 15, 2014 3:51 pm
If there were a Guinness World Records entry for "Most Infamous Music Premiere," Igor Stravinsky's The Rite of Spring would almost certainly take the prize. The year was 1913. The Théâtre des Champs-Élysées in Paris was packed to the rafters in anticipation of the next ballet from the team that had produced The Firebird and Petrushka.
[The films that Team NPR saw at the Toronto International Film Festival will be rolling out in theaters over the next several months, and we'll be reminding you about some of them along the way. One that Bob Mondello enjoyed was Dustin Hoffman's directing debut, Quartet. He attended the gala Toronto premiere and wrote this short postcard about the actors' responses and the audience's reaction to the film, which is currently scheduled to open just after Christmas, on January 4, 2013. — Linda Holmes]