Originally published on Wed August 22, 2012 4:33 pm
This month's installment of Heavy Rotation demonstrates the breadth of music played on public radio stations every day. Hip-hop, electronica, contemporary classical, Cuban jazz, blues rock — it's a truly eclectic mix.
The Tallahassee band Carrousel released its first full-length album, 27 rue de mi'chelle, in May. The group's trippy, cathartic, lovelorn dream-pop often references time spent around the ocean, but there's meticulousness to the sound that could only come from countless hours in the studio. Download Carrousel's head-turning "14" and the new album's title track in this installment of World Cafe Next.
Sipho "Hotstix" Mabuse's musical career brought him success and celebrity in South Africa. But he quit school at the age of 16 to launch his music career, and he always felt there was something missing. He tells guest host Viviana Hurtado why he decided to go back to school.
Originally published on Mon April 15, 2013 5:21 pm
We'd never tried to squeeze a piano behind the Tiny Desk, but when I saw a chance to have Rufus Wainwright play here, I wouldn't — and he probably wouldn't — have had it any other way. Somehow, we managed to fit a glossy black Yamaha upright against my full bookshelves. Then we tuned it and waited for some glorious moments.
Originally published on Mon August 20, 2012 12:17 pm
It's been a couple of years since we first discovered and fell in love with the music of Freelance Whales. That was back in 2010, shortly after the group of multi-instrumentalists from Queens, N.Y. released its breathtakingly beautiful debut Weathervanes.
Weekends on All Things Considered continues its "Why Music Matters" series with a story from the operating room.
"The O.R. is a naturally rhythmic place, in that you have the beating of the anesthesia machines and the autoclave comes on," says Divya Singh, an orthopedic and hand surgeon. "So music just becomes another sound."
In the 1920s, the sound of music in the black church underwent a revolution. Standing at 40th and State Street in Chicago, Roberts Temple Church of God in Christ was a witness to what occurred.
The high-energy gospel beat of the music that can still be heard in this Pentecostal church is the creation, music critics say, of Arizona Dranes, a blind piano player, a woman who introduced secular styles like barrelhouse and ragtime to the church's music.