Born in a New York City bar from the minds of Londoner Terry Wolfers and Brit/Swede Petter Ericson Stakee, Alberta Cross crafts a distinct variation on American roots music. The band's use of folk and blues traditions within an old-school rock template works off the firm foundations laid by the likes of The Band and Neil Young.
Originally published on Fri December 14, 2012 4:40 pm
Maybe we should all write our autobiographies and boil them down to 5 minutes. Loudon Wainwright III makes it look so easy in this music video for his song "The Here & the Now." There's a poignancy here that is so bittersweet and a trajectory that is both unpredictable and undeniable.
Originally published on Mon August 20, 2012 4:05 pm
Three-time Grammy award-winning singer-songwriter Shawn Colvin is a contemporary folk legend. Colvin started playing guitar at the age 10 and went on to cut her teeth on the folk circuits of Illinois and San Francisco before moving on to the Fast Folk cooperative of Greenwich Village in New York City. During her solo music career, Colvin has appeared in off-Broadway shows and episodes of television shows such as The Simpsons and Treme.
Originally published on Tue September 18, 2012 7:31 pm
Birthdays come but once a year, but for music lovers, what I like to call "that birthday feeling" is a semi-regular thing. I'm talking about the rush, tinged by anxiety, greeting the first download click on an album you've been longing to hear for months. It's a complicated wash of emotions, boosted by conflicting hopes and assumptions. You're about to get exactly what you've wanted; but what if it's not exactly what you want? And boy, that bike Mom promised to buy had better be cherry red.
For Dave Samuels, the love of his first two instruments — the drums and then the piano — naturally led him to the vibraphone. Samuels' gift for evocative melody and his rhythmic versatility make him one of the leading mallet players of his generation, empowering him to swing from the classic-cool sounds of Stan Getz and Gerry Mulligan to the contemporary rhythms of The Yellowjackets, Spyro Gyra and his Caribbean Jazz Project.
On July 20, 1958, at Tanglewood — the summer home of the Boston Symphony Orchestra — pianist Leon Fleisher played an electrifying Brahms First Piano Concerto with the orchestra under its former music director, Pierre Monteux. This remarkable teaming has not been heard since then.