Nickelback. The name itself is musical shorthand for everything music aficionados love to hate about modern rock.
But with more than 50 million record sales worldwide and a lead singer who earns $10 million a year, the band is laughing all the way to the bank — as reporter Ben Paynter describes in Bloomberg Businessweek Magazine.
Post-Sandy, post-election, post-Taylor Swift, we're still here. This week we're schooled by a British dance music fan and Chad Kroeger. For further instruction, you're going to have to put in a little more work — to read an excellent interview with Ozzy Osbourne's bassist you can't just click, you have to order the print magazine in which it appears. Some things never change.
Elliott Carter died this week, a month shy of his 104th birthday. He had a huge influence on modern classical music. So in 2008, when Elliott Carter was celebrating his centennial, NPR's Tom Cole went to New York City to interview him. And he has this remembrance of what it was like to meet the storied composer.
TOM COLE, BYLINE: I was terrified. I mean, this was a man who had lived history; a composer who'd won two Pulitzer Prizes, for his Second and Third String Quartets.
The world is full of love songs. Unrequited love, romantic and lustful love, poetic and sensual love — they're all more than covered. Plenty of tunes address betrayal and broken hearts, but actual relationship aren't so black-and-white. Confusing and captivating emotions lie just beneath the surface of even the simplest smitten love, and breakups are rarely as definitive as they're often portrayed in popular music.
When you reach a certain age, big life surprises tend to come few and far between, unless you're Harold Van Heuvelen. Van, as everyone calls him, has had a blockbuster week full of dreams fulfilled. The story of his dream starts more than 70 years ago, on Dec. 7, 1941.
Van Heuvelen enlisted in the Army after Pearl Harbor. He was posted to a base in New Orleans as an instructor for recruits. He spent the war stateside, training men who were being shipped out to Europe and the South Pacific.
The saxophonist Dayna Stephens, originally of the San Francisco Bay Area, has built up an impressive educational pedigree: Berkeley High, Berklee College of Music, the Thelonious Monk Institute's masters program. But he's really flourished by backing up greats like Kenny Barron and Idris Muhammad, and being a first-call player on both the East and West Coast. Blessed with a warm, enveloping tone, he's made two records as a bandleader, including this year's Today Is Tomorrow.
Pianist, composer and teacher Pete Malinverni is a multifaceted player known for his attention to melody and delicate phrasing. Spiritual influences radiate throughout his arrangement of "Deep River," and Malinverni and host Marian McPartland end a delightful hour as they join together in a performance of the Harold Arlen standard "Get Happy."
Murhaballadeja features a striking photo on the cover: Two beefy, big-jawed men with cruel eyes are in prison garb, shackled with heavy chains at the neck, wrists, knees and feet. Turns out they're legendary 19th century murderers from Finland. These are the kinds of characters you'll find in a collection of murder ballads from Kimmo Pohjonen.
Originally published on Fri July 12, 2013 10:18 am
Pokey LaFarge and his backing band The South City Three make their first appearance on Mountain Stage, recorded live at the Paramount Theater in the border town of Bristol, Tenn./Va., in partnership with the Birthplace of Country Music Alliance. Hailing from St. Louis, LaFarge mixes the sounds of a bygone era: early string-band music, ragtime, country blues and Western swing.