Fans of Portlandia may recall a recent episode in which its main characters (played by Carrie Brownstein and Fred Armisen) get a good look at their new cleaning lady. They think the cleaning lady might be — and realize that it actually is — the singer-songwriter Aimee Mann.
As the 1970s punk scene was turning the corner into a new decade, Joe Jackson showed them the way with a pair of essential new wave albums, Look Sharp! and I'm the Man.
But as soon as fans thought they knew the angry young Brit with the sharp suits and even sharper commentary, Jackson changed. His Gershwin-esque piano music became huge hits in the '80s, but then he changed again.
Originally published on Tue September 18, 2012 2:47 pm
Exitmusic's Aleksa Palladino and Devon Church have forged a profound partnership: The couple came together in a romantic, cinematic way, meeting on a transcontinental train. Then, over the course of two albums — Passage came out earlier this year — they've created an artistic identity that's beautifully beguiling and darkly unsettling.
At 11 a.m. on a weekday, Calexico rehearses for its upcoming tour in a cramped studio on the south side of Tucson, Ariz. The stereotypical musician would just be getting up, but lead singer and songwriter Joey Burns has been up since dawn with his twin baby girls.
Trumpet player Jacob Valenzuela arrives late to the rehearsal — and that's because his washing machine broke and he had to deal with a small flood. Valenzuela grabs his trumpet as the band launches into "Splitter," the first single from Calexico's new album.