This interview was originally broadcast in 1999. Brubeck died on Wednesday at age 91.
In 1954, polls in the leading jazz magazines Metronome and Downbeat selected Dave Brubeck's band as the year's best instrumental group. That same year, Brubeck was the second jazz musician ever featured on the cover of Time Magazine (the first being Louie Armstrong).
Originally published on Sat December 29, 2012 9:31 am
More than any year in recent memory, the folk and roots music of 2012 was focused on collective roots, elements of ancestry, the stories and events which unite us. The finest traditional albums released paid homage to Nova Scotia and Appalachia. The strongest singer-songwriter records told of the hard struggles of working class people — stories which haven't changed drastically from generation to generation, but continue to be provide hope and promise.
Originally published on Mon January 21, 2013 10:41 pm
Most young bands hope to get some kind of break or media exposure as soon as they possibly can. But as Django Django, a four-piece originally from Edinburgh, discovered, it's possible to get noticed a bit too early. In 2009, the group released its first single, "Storm," as a seven-inch through a friend's Glasgow-based record label. The song quickly stirred up buzz, but the group didn't have anything to release as a follow-up — "Storm" was truly the first thing they had ever done together.
In 2008 and 2011, respectively, Miguel Zenón and Dafnis Prieto received MacArthur Fellowships — known as "Genius Grants" — from the John D. and Catherine T. MacArthur Foundation. They were cited for their achievements in expanding boundaries and combining vocabularies. And you can hear them in action from Newport on JazzSet.
Her voice is soft and sweet, her guitar work deft and evocative, but Anaïs Mitchell is a songwriting storyteller first and foremost. Robbed of a gift for melody and poetry, Mitchell would probably (and may yet) write some tremendous novels.
At first glance, our top picks for 2012 may seem to range far and wide, from a fresh take on an epic late Beethoven string quartet to cellist Maya Beiser playing spaciously layered new music by Michael Harrison. What unites this diverse bunch is a spirit of discovery — not just in new music that we'll return to again and again but in the artistic energy that animates each of these projects.