Originally published on Fri January 4, 2013 6:26 pm
We asked musicians, music industry folks, writers, programmers and DJs — fans all — to tell us how they saw 2012 in music. We sent them five questions asking what began and what fell apart, what made them happy and what disappointed them. They told us about bands that broke up, albums they fell in love with, trends that waxed and waned, tools and ideas that came and went. They rue the movement of some sounds into the mainstream and celebrate the partnering of others. They took our questions seriously, and they've got jokes.
For some, bringing in the new year means praying for good things to come. Kristina Olsen ponders the reasons for prayer in her song, "Prayer Flags." She tells the story behind it in the latest edition of What's in a Song, a series from the Western Folklife Center.
Few artists have changed the face of music over the past two decades quite like Beck. Wherever his interests took him — through experiments in hip-hop, electronica, Tropicália, blues, funk, folk — Beck Hansen found a ravenous audience awaiting each new departure. For his latest project, however, he hasn't recorded a note.
The Robert Glasper Experiment makes a unique mix of jazz, soul and R&B. It's impossible to classify as one particular genre, but as a sound, it's as eclectic and different as it is cohesive and round. Watch the group (with Robert Glasper on keys) perform "Lift Off" from Black Radio, released earlier this year.
It's been almost a decade since Johnny Cash died, but fans still travel from around the world to see the place the music legend often described as key to his development: his boyhood home in the eastern Arkansas town of Dyess. The small house will soon serve as a museum — not only as a tribute to Johnny Cash, but also to tell the history of the town.