It's easy to think of The xx as a fashionable band: Its members have a sleek all-in-black look, its typography and cover art is coolly and distinctively styled, and the group itself has been showered with validation, including Britain's 2010 Mercury Prize. But beneath all that tightly controlled image-making lays music that's raw and vulnerable; shy, worried tentativeness is wired into a sound that shimmers powerfully, but remains as fragile and delicate as a soap bubble.
The Grammys were last night. Millions tuned in to see who won and who didn't and, of course, the most important thing, who wore what. This year, CBS sent out a memo outlining the expected dress code banning - and, forgive me, but I'm quoting here, "bare, fleshy under-curves of the buttocks and butt crack and puffy, bare-skinned exposure," among other things.
When the Oscars are handed out later this month, the ceremony will most likely be punctuated by music that has pretty much come to stand for movies and Movieland. Ironically, the composer grew up in Detroit, and the lyricist came from Savannah, Ga. — yet together they wrote the quintessential Tinseltown anthem.
"Hooray for Hollywood" was written for the Warner Brothers film Hollywood Hotel. It was a corny little "let's-go-to-Hollywood-and become-stars" movie from 1937, with some cute dialogue.
In less than an hour, the McDonogh 35 High School marching band — including the flag girls, the dance team, the majorettes, the color guard and the actual band — needs to be on the parade route five miles away. It's the peak of Carnival season in New Orleans, and high school marching bands form the backbeat of Mardi Gras.
Sunday night's Grammys are an opportunity to rain accolades on pop music and perhaps witness the musical return of Justin Timberlake. But each year, the Recording Academy also honors recordings of "lasting significance" by inducting them into the Grammy Hall of Fame. One of them this year is Kentucky fiddler Bill Stepp's performance of "Bonaparte's Retreat."
The video for "Single Ladies" has been viewed nearly 10 million times — not Beyonce's original, but a quirky revamp by Pomplamoose, a couple from California known for their lighthearted cover songs. Nataly Dawn is the voice of the duo, and she's about to release her first solo album.