Even in a city known for its eccentrics, Ernie K-Doe was in another dimension. The New Orleans musician always knew — and said, loudly — that he was special. And for one week in a life of wild ups and downs, he managed to pierce the national consciousness with a chart-topping hit: 1961's "Mother in Law."
In the 1980s, few musicians matched the consistent brilliance and staggering fame of Prince. The Purple One earned legions of young fans back then, including one doting girl in California named Maya Rudolph — the same Maya Rudolph who would find fame herself as a cast member on Saturday Night Live and co-star of the film Bridesmaids.
Originally published on Mon December 24, 2012 11:55 am
In 2012, writers who tackled musical topics dove deep, got weird, burrowed into a niche; we joyfully followed them to depths we never would have expected when the year began. We devoured works of criticism, history, biography and the Zen of John Cage and Tony Bennett.
This year saw two releases from prolific Chicago indie-pop singer-songwriter Andrew Bird. Released in March, his new album Break It Yourself turned out to be one of All Songs Considered listeners' favorite albums of 2012 — another showcase for Bird's clever songwriting, eclectic musicianship and inventive loop-based approach to playing and recording.
Discovering Brazil has been a series of wonderful revelations for me. As principal conductor of the Sao Paulo Symphony Orchestra for the past year, I have been deeply moved and even changed by my exposure to this culture of passion and positivity.
Brazil's inherent societal belief that music improves quality of life, contributes to improved social behavior, and is an important vehicle to establish a peaceful society filled with tolerance and respect is a philosophy I once thought existed only in my utopian dreams.