Originally published on Tue March 26, 2013 7:04 am
Tonight marks the first night of Passover, the commemoration of the Jews' liberation from slavery. Like millions around the world, I'll be sitting down to Seder to celebrate, in my case with a completely religiously and culturally mixed-up mishpocheh. I'm not Jewish, but Passover is one of my favorite nights of the year. With all of its rituals, this holiday takes eating mindfully to a whole new and incredible level, with every foodstuff, prayer and movement geared towards revisiting and renewing the ancient story of bitterness and then emancipation.
Originally published on Sun March 24, 2013 11:00 am
Nicole J. Georges' latest book is Calling Dr. Laura.
My mother picked me up from school in early April 1994. I was barely a teenager, lips stretched over braces as I focused my attention on the radio dial, seeking an alternative station whenmy mom delivered some news: "Oh, your buddy died."
"Who is 'my buddy?' "
"Uhhh ... whatshisname ... the screaming, you know, the blonde. ..."
What happens when two very talented women — one, a rising alt-country star; the other, one of classical music's great new talents — meet one another? In the case of singer Tift Merritt and pianist Simone Dinnerstein, a friendship ensues.
Kenneth Pattengale and Joey Ryan were doing just fine as solo performers. Then one night, Ryan walked into a bar where Pattengale was playing.
"I heard Kenneth perform a song that he had written from the perspective of a dead dog, only very recently having been hit by a truck," Ryan says, wryly. "And it was that sort of uplifting material that drew us together."
In <em>The Sapphires</em>, an R&B-loving musician helps turn four Australian aboriginal women into a soul act. From left: Julie (Jessica Mauboy), Cynthia (Miranda Tapsell), Gail (Deborah Mailman) and Kay (Shari Sebbens).
Credit The Weinstein Company
Tony Briggs' <em>The Sapphires</em> screenplay was inspired by his mother, Laurel Robinson, who regularly sang with her sisters and cousins in the '60s and '70s.
Credit Mike Coppola / Getty Images
In the film, as in real life, The Sapphires travel from Australia to Vietnam to entertain American troops.
In the late 1960s, an all-girl singing group hit it big. But they didn't come from Detroit or Memphis — the four young aboriginal women hailed from the Australian Outback.
At the time, aboriginal people were just gaining basic civil rights, like voting and being counted as Australian citizens. The girls faced intense racism at home, but they took their act all the way to Vietnam to entertain American troops.
Originally published on Wed March 27, 2013 10:13 am
Listening to The Milk Carton Kids on an album is one thing; watching the band work its magic live is another. This performance of "Hope of a Lifetime," the opening song on The Ash & Clay, was filmed at the Folk Alliance conference in Toronto. With its elegantly phrased messages about growth and the complexity of progress, "Hope of a Lifetime" moves delicately and thoughtfully.
At 66, the jazz trumpeter Tom Harrell is as busy as ever: His current band has released five excellent albums since 2007 alone. (It performed for this concert series in 2009.) He's so prolific that he's been writing and arranging music for other ensembles all the while. Last year, Harrell presented a nine-piece chamber jazz ensemble, and he's been at work on a new, piano-less project.