Whether she's creating songs in L.A. or New York, it's clear that Glasser (a.k.a. Cameron Mesirow) has put as much effort into her music as she has into the total artistic package of form and atmosphere. In songs like "Shape," she creates moody, intoxicating environments with her voice and presence.
Many jazz musicians write music here and there, but it's still a leap for someone to go from "writing tunes" to taking pride in the art of composition. The alto saxophonist Patrick Cornelius, based in New York for a decade now, is headed that way. After releasing his fourth album, Infinite Blue, earlier this year, he's now set to premiere a new set of compositions for jazz octet. While We're Still Young is a suite based on the illustrated book of children's poems When We Were Very Young, by Winnie-The-Pooh creator A.A.
A Brian Blade Fellowship concert feels a bit like a family reunion. Its core — drummer Blade, pianist Jon Cowherd and bassist Chris Thomas — has played together for more than 20 years, and its horn players have stayed loyal to the operation, too. Its repertoire feels rooted in a deep emotional well where sacred abuts secular and jazz meets its Southern folk cousins. Sparks always seem to fly when it gathers for an infrequent recording or string of tour dates.
The James Hunter Six appears on this episode of Mountain Stage, recorded live at the Culture Center Theater in Charleston, W.V. Van Morrison once called Hunter "one of the best-kept secrets in British R&B and soul," but after a series of acclaimed albums and an award from the Americana Music Association, the secret is out.
Follow the great musical migration from Scotland, through Ulster to Appalachia. Dougie MacLean, Tim O'Brien, Cara Dillon, Jean Ritchie, Sheila Kay Adams, Doc Watson and others share songs that tell the story of a remarkable musical diaspora.
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