By editor
Originally published on Tue November 13, 2012 11:33 am
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One of the things I love about electronic music is the omnipotence of the producer. The spectrum of sounds possible with modern computer software is mind-boggling. Almost anything can happen.
British producer Andy Stott has been at the vanguard of exploring these new possibilities. In the early 2000s, the Manchester artist crafted some of the most gorgeous and inventive techno on the planet, but over the past few years, he's experimented with lower frequencies — much lower.
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