Originally published on Tue January 28, 2014 10:00 pm
Roses are beautiful and alluring, but they're often seen in the saddest of settings: hospitals, funerals. The music of Gem Club is a bit like that, mixing beauty and melancholy. One makes you appreciate the other, so it's a dynamic that works perfectly on the band's second album, appropriately titled In Roses.
Originally published on Tue January 14, 2014 4:33 pm
In a concert and ceremony at Jazz at Lincoln Center in New York City, the National Endowment for the Arts recognized its 2014 class of Jazz Masters.
The honor is the highest federally supported award for jazz artistry; those recognized receive a $25,000 grant and a tribute performance. The event was webcast live on the NEA's website, XM Satellite Radio and WBGO.org, as well as on NPR Music.
Mukhtar Mai is from a small tribal village in Pakistan. In 2002, her brother was accused of sexually molesting a woman from a wealthy land-owning clan. What happened next was horrifying, says singer and composer Kamala Sankaram.
In the room he uses as a practice space and office in his apartment in Corona, Queens, Jimmy Heath recalls a hit record from long ago.
"It's a song Bill Farrell, a popular singer, had years ago," he says, and then sings: "You've changed, you're not the angel I once knew / No need to tell me that we're through / It's all over now, you've changed." Then the 5'3" musician with the big sound picks up his tenor saxophone and blows.
Alicia Soderberg studies the death of stars. Often, these final moments come as violent explosions known as supernovae. They're spectacular events, but catching one as it unfolds can be tricky.
"You have to be in the right place at the right time, and often we're not," says the professor in Harvard's astronomy department. "So all you can do is do a stellar autopsy and go back and try to pick up the pieces and try to figure out what happened."