Originally published on Fri December 6, 2013 1:05 pm
This wound up being a spectacular year for elaborate, lavishly packaged reissues. Given all the fabulous classical box sets that appeared this year, you'd think we were in some kind of boom era for music served up on compact discs. (2013? More like 1993.)
Renee Montagne talks to South African musician Johnny Clegg about his relationship with Nelson Mandela, who died Thursday at age 95. Clegg says his banned 1980s song that named Mandela and became an anthem came to him one day when he woke to gunshots and wondered "who can bridge you and me, every South African."
South African President Nelson Mandela joins the choral group at the signing of the country's new constitution at Sharpeville stadium in 1996. Mandela lived a life filled with rich musical associations.
Credit Alexander Joe / AFP/Getty Images
The former South African president Nelson Mandela has lived a life filled with rich musical associations.
Taylor Muse is the 31-year-old bandleader and songwriter of Quiet Company, an indie-rock band from Austin. A native of East Texas raised in a Southern Baptist church, he now reluctantly carries the banner of "that atheist rocker from Austin."
"Every band that I was in up until college was a Christian band," Muse says. "It was part of our identity as people, our identity as a community. It was everything."
And we end this hour with a very different kind of ecstatic voice.
(SOUNDBITE OF SONG, "HAPPY")
PHARRELL WILLIAMS: (Singing) Because I'm happy, clap along if you feel like a room without a roof. Because I'm happy, clap along...
SIEGEL: This is the song "Happy" from Pharrell Williams. He sings. He writes. He produces. Williams is also the creative force behind an ambitious new music video, though calling it just a video hardly does it justice.
Dominique Pruitt makes her first appearance on Mountain Stage, recorded live at the Culture Center Theater in Charleston, W.V. Pruitt grew up in the San Fernando Valley outside Los Angeles, surrounded by professional musicians, including her parents. When she saw the John Waters film Cry-Baby as a child, she immediately became fascinated with all things '50s, though she grew to love the '40s and '60s, as well.
Steve Lacy used to say that the right partner can help you make music you couldn't get to by yourself. Take the quartet William Parker founded in 2000, for example. Parker's bass tone was always sturdy as a tree trunk, but power drummer Hamid Drake gives him lift. The upshot is that free jazz can swing, too. The quartet's front line is another firm partnership: quicksilver alto saxophonist Rob Brown and flinty trumpeter Lewis Barnes.