For all the glum punditry about our brave new world of connected disconnection, there are endless possibilities for free play — though you'd never know it from the sorry crew of malcontents in 360, an ambitious post-millennial take on Arthur Schnitzler's La Ronde.
Writer Caitlin Moran believes most women who don't want to be called feminists don't really understand what feminism is. In her book How to Be a Woman, Moran poses these questions to women who are hesitant to identify as feminists:
What part of liberation for women is not for you? Is it the freedom to vote? The right not to be owned by the man that you marry? The campaign for equal pay? Vogue by Madonna? Jeans? Did all that stuff just get on your nerves?
Mid-20th-century mystery master Ross MacDonald is credited with moving hard-boiled crime off the mean streets of American cities and smack into the suburbs. In MacDonald's mythical California town of Santa Teresa, modeled on Santa Barbara, evil noses its way into gated communities, schools and shopping centers that have been built expressly to escape the dirt and danger of the city.
South African playwright, actor and director Athol Fugard describes the time Nelson Mandela was released from prison in 1990 as "a period of euphoria that was the most extraordinary experience of my life."
He says he was also convinced he would be the country's "first literary redundancy."
"My life had been defined by the apartheid years," he tells Michel Martin, host of NPR's Tell Me More. "Now we were going into an era of democracy ... and I believed that I didn't really have a function as a useful artist in that anymore."
If only Nixon could go to China, only indie-comics master Jaime Hernandez could produce God and Science: Return of the Ti-Girls, the brightest, purest, most quintessentially superheroic superhero yarn in years.
Maybe you've winced at the decline of the past participle. Or folks writing and saying "he had sank" and "she would have went." Perhaps it was the singer Gotye going on about "Somebody That I Used to Know" instead of "Somebody Whom I Used to Know." Or any of a number of other tramplings of traditional grammar — rules that have been force-fed to American schoolchildren for decades — in popular parlance and prose.
This tiny town perched on the high plains of the Chihuahua desert is nothing less than an arts world station of the cross, like Art Basel in Miami, or Documenta in Germany. It's a blue-chip arts destination for the sort of glamorous scenesters who visit Amsterdam for the Rijksmuseum and the drugs.
"They speak about Marfa with the same kind of reverent tones generally reserved for the pilgrimage of the Virgin of Lourdes," notes Carolina Miranda, a writer who covers the art world.
Chris Bram is the author of the novel Gods and Monsters.
Gore Vidal was famous for his hates: academia, presidents, whole portions of the American public and, most notably, Truman Capote. Yet he could be incredibly generous to other writer friends. He wrote beautiful, appreciative essays about Tennessee Williams and Dawn Powell.
He was a man of many facets and endless contradictions.