Credit Art (c) Judd Foundation / Licensed by VAGA, New York, NY
In the 1970s, minimalist artist Donald Judd moved to Marfa, Texas, where he created giant works of art that bask beneath vast desert skies. In the years since, Marfa has emerged as a hot spot for art tourism.
Credit Brian Santa Maria / iStockphoto.com
This summer, NPR's Destination Art series is going off the beaten path to visit small to midsize North American cities that have cultivated lively arts scenes. And we want to hear from you! Where's your favorite art hot spot? What makes it unique? Tell us about it.
Credit Matt Slocum / AP
Prada, Marfa is a faux boutique displaying luxury bags and shoes in the middle of the sparse Texas landscape. It was created in 2005 by artist duo Michael Elmgreen and Ingar Dragset.
Credit Citoyen du Monde Inc / Flickr
Though the locals have mixed feelings about being an art mecca, Kaki Aufdengarten-Scott, Marfa's one-woman chamber of commerce, says without art tourism, "this town would have dried up and blown away."
Credit ydhsu / Flickr
The Marfa Book Co. is run by poet Tim Johnson, who doesn't think Judd would approve of Marfa's emergence as a chic art world destination.
Credit Neda Ulaby / NPR
"You just come out here and you feel like, I want to make something; I want to do something!" explains sculptor Campbell Bosworth. Above, a creative car, spotted on the street in Marfa.
This tiny town perched on the high plains of the Chihuahua desert is nothing less than an arts world station of the cross, like Art Basel in Miami, or Documenta in Germany. It's a blue-chip arts destination for the sort of glamorous scenesters who visit Amsterdam for the Rijksmuseum and the drugs.
"They speak about Marfa with the same kind of reverent tones generally reserved for the pilgrimage of the Virgin of Lourdes," notes Carolina Miranda, a writer who covers the art world.
Chris Bram is the author of the novel Gods and Monsters.
Gore Vidal was famous for his hates: academia, presidents, whole portions of the American public and, most notably, Truman Capote. Yet he could be incredibly generous to other writer friends. He wrote beautiful, appreciative essays about Tennessee Williams and Dawn Powell.
He was a man of many facets and endless contradictions.
Originally published on Thu August 2, 2012 3:29 pm
Originally published on Tue August 21, 2012 11:56 am
As I recently dipped a carrot slice into a fluffy, edamame-infused dip I'd made from a batch of homemade tofu, I wondered: Why haven't I done this before? The carrot was crisp, the herbs were fresh, but it was the tofu that was the real deal. It was like no store-bought tofu I'd ever encountered – light, delicate, creamy and not a bit rubbery.
Originally published on Wed August 1, 2012 3:14 pm
With his 2009 The Interrogative Mood: A Novel?, Padgett Powell produced one of the most readable literary oddities of the past decade. In that book, a narrator — perhaps the author himself — fired off questions (and only questions) that come to read less like a novel than a personality test gone haywire: "Should a tree be pruned? Are you perplexed by what to do with underwear whose elastic is spent but which is otherwise in good shape? Do you dance?" And so on, for more than 150 pages.
Gore Vidal came from a generation of novelists whose fiction gave them a political platform. Norman Mailer ran for mayor of New York City; Kurt Vonnegut became an anti-war spokesman. And Vidal was an all-around critic. His novels sometimes infuriated readers with unflattering portraits of American history.
Originally published on Mon August 13, 2012 10:14 am
Representing Europe in NPR's Poetry Games is Slovenian poet Ales Steger. Steger's first work translated into English, The Book of Things, won last year's Best Translated Book Award for Poetry. The translator was poet Brian Henry, who also translated Steger's Olympic poem, "Once More."