A Washington, D.C., museum wants you to spend some time looking up â€” to see soaring, vaulted tile ceilings built by a father-son team who left their mark on some of America's most important public spaces.
April is National Poetry Month, and to celebrate, Weekend Edition is talking with younger poets about why they chose to write poetry and why it's still important in our everyday lives. This week, we spoke to Bangladeshi-American poet Dilruba Ahmed.
Foodie fiction has become a veritable genre, devoted to deliciousness, to making your mouth water, to making you feel suddenly, irrevocably starved â€” and to making everything, sprouts and bologna included, an aphrodisiac. But what happens when enough is enough? Or when, perhaps, you're on a diet, or a deserted island, or attempting celibacy, or learning to live without gluten? What happens when you're hungry for the kind of fiction that concerns food but isn't in love with food â€” and thereby won't make you hungry, or lustful, or both?
Originally published on Mon April 29, 2013 9:52 am
April is National Poetry Month, and what better way to celebrate than with new poetry releases? Here are four of this month's highlights â€” a new translation, a "best of" collection, a "collected works" worth revisiting and a camera-eye view of the world.
The Divine Comedy
The season premiere of Mad Men opened with John Ciardi's 1954 translation of Dante's Inferno:
Midway in our life's journey, I went astray from the straight road and woke to find myself alone in a dark wood.
When Edna O'Brien wrote The Country Girls in 1960, the book was acclaimed by critics, banned by the Irish Censorship Board and burned in churches for suggesting that the two small-town girls at the center of the book had romantic lives. Oh, why be obscure? Sex lives.