Last year, the broadcast networks didn't do well at all when it came to new series development. We got ABC's clever Once Upon a Time, which was about it for the fall crop, until midseason perked things up with NBC's Smash. Otherwise, a year ago, all the exciting new fall series were on cable, thanks to Showtime's brilliant Homeland and FX's audacious American Horror Story.
Hanna Rosin's pop sociology work The End of Men, based on her cover story in The Atlantic magazine, is a frustrating blend of genuine insight and breezy, unconvincing anecdotalism. She begins with a much-discussed statistic: three-quarters of the 7.5 million jobs lost in our current recession were once held by men.
Originally published on Thu September 13, 2012 11:49 am
Great fiction is built around characters that follow the fruitless and wrongheaded paths they're offered, which is how readers savor safe passage into someone else's impetuosity. Yunior, who first appeared in Junot Diaz's debut collection, Drown, is the narrator in several of the stories in the Pulitzer Prize–winning author's third book, This Is How You Lose Her. Yunior is now middle-aged, middle-class, a self-described sucio struggling to mature into adulthood and not succeeding particularly well.
Rick Grimes (Andrew Lincoln) returns in October to fight more zombies in the hit AMC series The Walking Dead. But about 14 million people won't be able to see the premiere because of an ongoing dispute between AMC and satellite provider DISH Network
Back in March, the Season 2 finale of The Walking Dead, AMC's hit zombie drama, broke ratings records. The show returns on Oct. 14 for its third season. But for about 14 million people, there will be no flesh-eating zombies slowly walking across their TV screens. The show is produced by AMC, and all of AMC's channels have been cut by satellite provider DISH Network. Tiffs between networks and cable providers are common, but this one has gone on for record time.
A Syrian documentary film producer whose disappearance two weeks ago prompted concerns for his safety and a letter of support from the Toronto International Film Festival is now free, according to reports.
Every New York story ever written or filmed falls into one of two categories. The first — like Betty Smith's A Tree Grows in Brooklyn, or the musical On the Town — regards New York as the representativeAmerican city, a jam-packed distillation of the country's dreams and nightmares.The second group views New York as a foreign place — a city off the coast of the U.S. mainland that somehow drifted away from Paris or Mars. Think every Manhattan movie ever made by Woody Allen.
Author Michael Lewis made a radical request to the White House that he says he was almost certain would be denied: He wanted to write a piece about President Obama that would put the reader in the president's shoes.
To do this, the Vanity Fair contributing editor would need inside access. So what did he propose?
We turn now to the world of books, particularly biographies. You may not know the name Arnold Rampersad, but the people whose stories he's told changed the course of American history in letters, sports and culture. He is the author of prize winning biographies of poet Langston Hughes, baseball great Jackie Robinson, scholar W.E.B. Du Bois and tennis great Arthur Ashe.