Reading always turns any season into summer. Maybe it's because I associate my first bouts of time with books with time out of school, with summer afternoons on the back porch when the weather made it too hot to play, and the air seemed just quiet enough that you could focus your early reading skills on the page before you and make a story emerge from the shapes and squiggles printed there. Even for someone as fortunate as I am, someone who reads for a living, summer always feels like a special time.
Neil Jordan seems well aware that audiences may be feeling deep fatigue about vampires. So with his latest, the director of Interview With the Vampire makes a vampire film that seeks to reinvent the species, while harking back to a more classical â read: less sparkly â take on the genre.
When blueberries are in season, you don't need to turn on the oven to make a delicious dessert. Valerie Erwin says it takes just 15 minutes to make one of her favorite summer dishes, Blueberry Dumplings. She shared the recipe for All Things Considered's Found Recipes series.
Originally published on Fri June 28, 2013 10:48 am
Laurence Anyways begins with several close-ups of strangers pinning the passing camera with looks of surprise, disdain or suspicion. The person under examination is the eponymous Laurence (Melvil Poupaud), a noted novelist who at the story's outset is about to embark upon a new life as a woman. Later, after the film has flashed back to show us her whole transition, comes an interviewer's question: "Do looks matter to you?"
I'm So Excited! a less-than-exciting new romp from the great Pedro Almodovar, dusts off one of the hoariest plot tricks in the farceur's playbook: Trap a bunch of upstanding citizens in a confined space with no exit, and watch their ids â along with their secrets and lies â come out to play.
During his 20-year career, Jem Cohen has shown his films in museum auditoriums more often than in commercial theaters. So it's fitting that Museum Hours, the arty documentarian's latest feature-length effort, is so indebted to Vienna's Kunsthistorisches Museum. Cohen likes to happen upon stories and images, and the 19th-century Austrian culture palace is brimming with both.
The decade of the 1980s â when major corporations made their presence more felt in Hollywood â was for all kinds of reasons a low point in American moviegoing. But two beacons abroad, Pedro Almodovar and Neil Jordan, reminded us with movies like Law of Desire, Women on the Verge of a Nervous Breakdown and Mona Lisa how films could be personal and still reach a large (or large-ish) audience.
Thirty years later, we have Almodovar's I'm So Excited and Jordan's Byzantium â and these directors are still shining a light.
When the novelist Chimamanda Ngozi Adichie was growing up in Nigeria she was not used to being identified by the color of her skin. That changed when she arrived in the United States for college. As a black African in America, Adichie was suddenly confronted with what it meant to be a person of color in the United States. Race as an idea became something that she had to navigate and learn.