Denis Dutton has a provocative theory on beauty — that art, music and other beautiful things, far from being simply "in the eye of the beholder," are a core part of human nature with deep evolutionary origins.
Psychologist Nancy Etcoff joins philosopher Denis Dutton to explain why beauty inspires and motivates us. Etcoff says our response to beauty is visceral, and we use strong words — like "bombshell" — when we talk about it.
A story, a work of art, a face, a designed object — how do we tell that something is beautiful? And why does it matter so much to us? Designer Richard Seymour explores our response to beauty and the surprising power of objects that exhibit it.
Cameron Russell admits she won "a genetic lottery": She's tall, pretty and an underwear model. But don't judge her by her looks. In this fearless talk, she takes a wry look at the industry that had her looking highly seductive at barely 16 years old.
Originally published on Mon December 16, 2013 3:14 pm
Beauty surrounds us, draws us in, gives joy and creates conflict. In this hour, TED speakers conjure up beauty both ancient and modern, and suggest reasons why humans are hardwired to crave and respond to beauty.
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Originally published on Fri April 19, 2013 3:38 pm
Among the semi-literate journals submitted by his high-school students, jaded French literature teacher Germain (Fabrice Luchini) is jazzed to find a rough diamond from a new pupil, Claude (Ernst Umhauer).
In weekly installments, the ingratiating but enigmatic teenager, who looks as though he just stepped out of a Pasolini movie, chronicles his efforts to insinuate himself into the family of one his classmates, an amiable but awkward underachiever named Rapha (Bastien Ughetto).
Derek (Alexander Skarsgard) and wife Cindy (Paula Patton) are sandbagged by online identity thieves who steal their credit information — even as they're still grappling with the death of their young son.
Credit LD Entertainment
In a loosely connected storyline, the relationship between an investigative journalist (Andrea Riseborough) and a young digital sex worker (Max Thieriot) grows increasingly complicated as the twisted plot of <em>Disconnect</em> unwinds.
The title of Disconnect may be read as describing any of several things: the gulf between online and real-world interactions; the chasm that opens between human beings when spoken communication fails; our default emotional position in the face of unthinkable tragedy.
Attempting to address all three interpretations within the confines of a single movie may be courting failure, but writer Andrew Stern and director Henry-Alex Rubin go one better, adding an unnecessary cybercrime angle that muffles the screenplay's more subtle psychological insights.
The best documentaries about filmmaking are the ones that show it at its worst.
Movie sets are fundamentally boring places, where there's mostly a lot of waiting around going on. But when disaster strikes with millions of dollars on the line, the tension and drama are suddenly amped up to levels that often equal those in the movie being filmed.