We kick off our road show with a game dedicated to the stereotypical Boston dialect--you know, the one that tells you to "Pahk your cah in Hahvahd Yahd"? Host Ophira Eisenberg has a little punny fun with phrases and names that take on whole new meanings when you drop the "r's" in certain words. And for the record, "Hahd-Cawr Pun" is just Boston-speak for "Hard-Core Pun."
Let's start with a brief tour of streaming television online.
For quite a while, streaming television meant sitting and watching it on your computer. It wasn't ideal, for obvious reasons. Then, it got easier to sit and watch it on your phone. That wasn't ideal, either, if you liked the living-room experience. Tablets do a better job than phones of delivering a portable but less tiny experience.
Is there room for another book about America's favorite pastime? Lucas Mann's Class A earns a position in a lineup that already includes Bang the Drum Slowly, The Natural, The Boys of Summer, Moneyball and The Art of Fielding because, remarkably, it offers a fresh, unexpected angle on this well-trodden game.
Parvati and Saleem (Shriya Saran and Satya Bhabha), born in tandem at the birth of independent India, are at the center of Salman Rushdie's novel <em>Midnight's Children. </em>Thirty years after the book's publication,<em> </em>filmmaker Deepa Mehta has committed the story to the big screen.
Credit 108 Media
Mehta and Rushdie, both Indian-born expatriate artists acclaimed in their disciplines, share an appetite for lyrical, vividly colorful storytelling.
In the 1970s, Salman Rushdie was an unknown writer living in London. He decided to return to the country of his birth and rough it across India on what he describes as "extraordinarily long 15-hour bus rides with chickens vomiting on our feet."
That trip inspired Midnight's Children, the Booker Prize-winning novel that many consider Rushdie's literary masterpiece. Now, more than 30 years after it was published, Midnight's Children arrives on the big screen in a glittering film adaptation from Oscar-nominated director Deepa Mehta.
In honor of the upcoming Mother’s Day; I’m going to share some information about a particularly ancient symbol. Sheela na gigs are figurative carvings of naked women found on churches, castles, and other buildings, particularly in Ireland and Great Britain.
Mother's Day is this Sunday. While some people are racking their brains to think of the perfect way to show their love and appreciation for Mom, a group of distinguished women recently flipped that script and wrote about the most profound gift their own moms gave to them. Their essays are collected in the new book What My Mother Gave Me: Thirty-One Women on the Gifts That Mattered Most.