Early on in Confronting the Classics, Mary Beard tells the story of the Roman Emperor Elagabalus, who "used to seat his dinner guests on cushions that, unbeknownst to them, were full of air. As the meal progressed, a slave secretly let the air out, so Elagabalus could enjoy the sight of his companions subsiding, until they slid beneath the table."
Economist Tyler Cowen has some advice for what to do about America's income inequality: Get used to it. In his latest book, Average Is Over, Cowen lays out his prediction for where the U.S. economy is heading, like it or not:
"I think we'll see a thinning out of the middle class," he tells NPR's Steve Inskeep. "We'll see a lot of individuals rising up to much greater wealth. And we'll also see more individuals clustering in a kind of lower-middle class existence."
Originally published on Wed September 11, 2013 11:36 am
Nine inches is the minimum distance required between middle school students during slow dances in the title story of Tom Perrotta's first book of short stories in 19 years. Nine miles â€” or make that nine light-years â€” is the distance between many of the narrators in these 10 stories, and the family and friends they've alienated with their stupid mistakes.
Mohsin Hamid's latest novel is called How to Get Filthy Rich in Rising Asia.
Jonathan Lethem's latest novel, Dissident Gardens, is expansive in scale. Chronologically speaking, it begins in the 1930s with Communist Party meetings in the U.S. It passes through the rise of McCarthyism, the establishment of the New York Mets, the hippie Age of Aquarius and the AIDS crisis. It ventures briefly abroad, to such places as behind-the-Iron-Curtain East Germany and war-torn Nicaragua. It ends in the Obama era of Occupy sit-ins and a rampant TSA.
There are a lot of operas that end with heroines on their deathbeds, singing one glorious aria before they die. That's what happens at the end of Anna Nicole, the controversial new work that New York City Opera is presenting at the Brooklyn Academy of Music in September. But the company's artistic director and general manager, George Steel, says it could also be City Opera's last gasp.
Seriously, if you were being attacked by zombies, you might yell out the word f- - -! But no one does on The Walking Dead. When it comes to language in this golden age of basic cable dramas, the rules are idiosyncratic and unclear.
"It's so arbitrary, hon," says Kurt Sutter. "It's just basically people in suits making up the rules."
Host Kenn Michael speaks with Scott Sherk professor of art at Muhlenberg CollegeÂ about his sound instillation / exhibition currently up in the Martin Art Gallery of The Baker Center for the Arts on the Muhlenberg College campus . The exhibition Scott Sherk:Surround is up through Sept 28, 2013.