I'm Michel Martin and this is TELL ME MORE from NPR News. Now it's time for our weekly visit to the barbershop where the guys talk about what's in the news and what's on their minds. Sitting in the chairs for a shape-up this week are writer Jimi Izrael, with us from Cleveland. Here in our Washington, D.C. studios, sports writer and journalism professor Kevin Blackistone, Corey Dade, contributing editor for The Root, and NPR editor Ammad Omar decided to stick around. What do you know?
Wadjda tells the story of a 10-year-old Saudi girl determined to have a bicycle in a culture that frowns on female riding. Writer-director Haifaa al-Mansour says she wanted to put a human face on the situation of women in Saudi Arabia, where driving is not permitted.
Originally published on Fri September 20, 2013 7:55 pm
Think "Beltway sniper," and what vehicle comes to mind?
Probably not the blue Chevy Caprice actually used by John Allen Muhammad and Lee Boyd Malvo in the random killings that terrorized the nation's capital and its environs in the fall of 2002 â because for most of the investigation, the media's mantra was to be on the lookout for a white van or box truck.
With intrepid host Linda Holmes trapped in the air-conditioned movie theaters of Toronto, the Pop Culture Happy Hour gang was forced to reconstitute itself yet again for this week's episode â this time with our old pal Tanya Ballard Brown, who returns via the power of popular demand. You talk, we listen, people.
What happens when hipsters grow up? Do they become less insufferable with age? Do they learn to contribute something useful to the society they've long scorned, and in turn were scorned by? Maybe they, like Norman Rush's deceased character Douglas, leave New York City and go live in a castle somewhere, work on secret projects for the Israeli government, get a trophy wife and raise a child who opts to worship Odin and live wild in the surrounding forest.
With her weird, wistful new novel MaddAddam, Margaret Atwood completes the apocalyptic trilogy she began with Oryx and Crake and The Year of the Flood. Like its predecessors, MaddAddam is a blend of satiric futurism and magic realism, a snarky but soulful peek at what happens to the world after a mad scientist decimates humanity with a designer disease. That mad scientist is the brilliant bioengineer Crake, whose story is retold in this novel by the Crakers, the post-humans he designed to experience no sexual jealousy, and to eat nothing but plants.
To mark the Jewish holiday of Yom Kippur, the day of atonement, Jews fast from sundown to sundown. But before the sun sets, friends and family gather to enjoy one final meal. And for the Jews of Eastern Europe, that meal traditionally includes kreplach.
Originally published on Fri September 13, 2013 10:13 am
For a while in Jamie Meltzer's mesmerizing documentary Informant, I wondered whether subject Brandon Darby, the lefty activist turned FBI informer, was being played by an actor.
But no: It's Darby, and he's a handsome fellow, with haunted eyes blazing out of a bone structure to die for, and with a Montgomery Clift dimple in his chin. Staring straight into the camera, he testifies with the intense calm of a messiah or a madman, which all too often comes to the same thing. Among other things, this powerfully confused man is a study in American extremity.