Some novelists interest us because they turn the light of a style we enjoy on whatever subject they take up. Some novelists we enjoy because they have found a great subject and work it well and lovingly. John le Carre seems to belong to the latter group, having found his vein of fiction gold in the world of Cold War espionage.
Sarah Polley earned wide acclaim for directing the drama Away from Her, about a woman fading into the twilight of Alzheimer's, as well as for her acting performances in an array of films including The Sweet Hereafter and My Life Without Me. Her latest film, Stories We Tell,is a documentary, though — and a personal one at that.
First things first: Can we talk about hair? Nigerian writer Chimamanda Ngozi Adichie has written a big knockout of a novel about immigration, American dreams, the power of first love, and the shifting meanings of skin color; but, as Adichie has said in interviews, she also knows that black women's hair can speak volumes about racial politics.
This was the week of the broadcast network "upfront" presentations, which are the splashy ads for new programming that networks show to advertisers to entice them into ignoring their fears that everybody is fast-forwarding through all the commercials anyway.
Butterscotch is going through something of a revival. So much so, that two Kitchen Window regular contributors wanted to write about it. Therefore, welcome to the more-than-you-ever-thought-you-needed-to-know-about-butterscotch special coverage. Today is the first in our two-part butterscotch series. Check in next week (May 22) for more recipes featuring this resurgent flavor.
There are novels you read to find out what happens next, and novels you read to linger in the moment. Tom Drury's new book, Pacific, falls squarely in the second category. Drury started writing about the inhabitants of fictional Grouse County in 1994, in The End of Vandalism, and continued with 2000's Hunts in Dreams. But to call Pacific a sequel implies that you need to read the first two installments to fully invest in this slight, beguiling third. You don't.
I've been following Easy Rawlins since reading Devil in a Blue Dress in the '90s. That's a lot of time to give to a character. And as I read Little Green, I realized that I hadn't been following Easy, the character, all these years. In the past I was more invested in other parts of the stories.
A year ago, writer Neil Gaiman told the graduating class at Philadelphia's University of the Arts that life is sometimes hard — that things will go wrong in love and business and friendship and health, and in all the other ways that life can go wrong. And that the best thing an artist can do at those times is to "make good art."
That commencement speech became a hit on the Web and has now been adapted into a small book, titled, appropriately, Make Good Art.