You know, as I host this program, I'm on a social media platform - Twitter, as a matter of fact. There is no group that takes that new social media platform more than teenagers, and that's exactly what worries a lot of parents. Danah Boyd is a respected researcher in the world of social media. She spent years studying teenagers and how they interact online. Her findings are in a new book called "It's Complicated." In this encore broadcast, NPR's Elizabeth Blair reports.
"Submissions Only" is a backstage comedy - in fact, it goes so far backstage, it goes into the auditions. It's the story of eager, hopeful actors, hectored and hectoring agents, and demanding casting directors who work just around the corner from Broadway.
UNIDENTIFIED MAN: (as character) Hey, Pen, I went on theater burn and wrote I don't care who's directing "Jeremy's Fort," as long as Penny Riley is still in it. She's going to be fierce.
KATE WETHERHEAD: (as Penny) Aw. And then did everybody write Penny who?
Blake Bailey is best known for his prize-winning biographies of great writers who were also destructive — and not just self-destructive — people. His books on John Cheever, Richard Yates, and Charles Jackson have been sympathetic, but unsparing.
Dan Jenkins has covered sporting events around the world, from golf to football to skiing, from Pebble Beach to Green Bay to Gstaad, in pungent prose with a Texas kick — and in the process, he's become more famous than a lot of the athletes he was writing about.
Elaine Stritch is the lioness in winter. She's 89 and still performs ocassionally, after eight decades on Broadway and the West End. Sir Noel Coward reworked his musical, Sail Away, to give her all the best songs. She stopped Stephen Sondheim's Company in the middle of the show when she sang "The Ladies Who Lunch," which has become her signature song.
On Friday's All Things Considered, Bob Mondello and I — fresh off our run of video salutes to Internet comments — chat with Melissa Block about what, if anything, is satisfying about the Oscars.
Bob points out the difficulty in bringing yourself to care about a contest that so often leaves out the worthiest contenders; I make the best case I can for Oscar season as a potential time of discovery; and we consider a couple of canards about best picture that might help you pick a winner.
This week's headlines have been dominated by the violent protests in Kiev, the ousting of President Victor Yanukovych, and the amassing of Russian troops at the Ukrainian border. Writer Anthony Marra says that if Soviet war journalist Vasily Grossman were alive today, he'd likely be breaking news from Independence Square.
Originally published on Fri February 28, 2014 3:53 pm
There's a moment, toward the end of the documentary that centers on him, when Judge Mark A. Chiavarella breaks down, his voice cracking as he mourns the likelihood that his grandchildren won't have him in their lives.
This is FRESH AIR. Liam Neeson became a bankable action hero in 2008 with the thriller "Taken." Now almost 62, he's still getting out of tight corners with his fists in the new action thriller "Non-Stop," most of which unfolds on a transatlantic flight from New York to London. The film also stars Julianne Moore and Michelle Dockery. Film critic David Edelstein has this review.