This week's show — which was taped before Thursday's Oscar nominations — is focused on Ava DuVernay's drama Selma, and we're happy to be joined by our pal and Code Switch blogger Gene Demby, who also recently wrote a terrific piece in Politico about what he talked about as a new civil rights movement. It made sense, we thought, to make sure he was with us to cover a movie about the civil rights movement of the 1960s.
Originally published on Fri January 16, 2015 12:36 pm
Nearly five years after it hit best-seller lists, a book that purported to be a 6-year-old boy's story of visiting angels and heaven after being injured in a bad car crash is being pulled from shelves. The young man at the center of The Boy Who Came Back from Heaven, Alex Malarkey, said this week that the story was all made up.
The book's publisher, Tyndale House, had promoted it as "a supernatural encounter that will give you new insights on Heaven, angels, and hearing the voice of God."
George VanDoren from The Press Papers and poet Marilyn Hazleton join hosts George Miller and Kate Scuffle on Lehigh Valley Arts Salon to talk about the 10th Annual Student Poetry Project. Find out how Lehigh Valley students can get involved.
In honor of April being National Poetry Month, WDIY is once again partnering with The Press Papers to allow student winners to read their poems on an April edition of Lehigh Valley Arts Salon.
Originally published on Thu January 15, 2015 3:11 pm
Miami Chef Douglas Rodriguez is known as the "Godfather of Nuevo Latino Cuisine" for the pan-Latin American style of cooking he helped pioneer. But, as the son of Cuban immigrants, his early cooking education was firmly rooted in the traditions of his parents' homeland.
A friend recently insisted I read her favorite book in the world: The Last of the Wine by Mary Renault. It's a gorgeous book, one that utterly immerses you in a worldview that's simultaneously alien and formative to so much of our modern life. I enjoyed it tremendously, and am doubly glad I read it since it gave me a fascinating window through which to view Jo Walton's The Just City: If Renault's project is immersive, Walton's is explosive, deliberately troubling and provocative as the gadfly-Socrates who appears in both.
Originally published on Thu January 15, 2015 1:26 pm
Listen to the Conversation
[At the top of this post, you'll find a discussion I had with Stephen Thompson, my Pop Culture Happy Hour co-panelist, about the Oscar nominations. Tomorrow's full PCHH episode more fully covers the film Selma.]