Every weekday, thousands of commuters to the nation's capital drive past the grave of a celebrated American author, and it's a good bet they don't realize it.
F. Scott Fitzgerald, the author of The Great Gatsby, was born in St. Paul, Minn.; he's associated with that city, as well as Paris, the Riviera and New York. But he's buried in Rockville, Md., outside Washington, D.C., next to a highway between strip malls and train tracks.
The story of the Arkansas murder trials of Damien Echols, Jason Baldwin, and Jessie Misskelley — the men known as the "West Memphis Three" — has already been the topic of the three well-known documentaries in the Paradise Lost series made for HBO by Joe Berlinger and Bruce Sinofsky. Those films, in fact, helped the case come to the attention of many of the people whose work ultimately resulted in the three defendants' release from prison in 2011.
Cannibalism and comedy are strange but remarkably compatible bedfellows. Paul Bartel's cult classic Eating Raoul (1982) set the standard, lampooning prudish post-sexual-revolution values with a chaste couple whose repression leads them to murder — and eventually to serving human flesh. Bob Balaban's considerably darker 1989 Parents used it to examine the underbelly of 1950s wholesome prosperity, with wickedly funny results.
Originally published on Thu September 6, 2012 5:50 pm
Fred Schepisi knows how to make the kinds of movies almost no one makes anymore. The tragedy is that they don't make audiences like they used to — and Schepisi's latest, The Eye of the Storm, will feel to many viewers like a movie lost in time and space.
That's no reflection on its craftsmanship, which is superb, or on its performances, which are sterling. But this multigenerational character study, based on a novel by Patrick White, requires a little patience: Its rhythms are slack in places, and its pace is definitely leisurely.