Arts

"The fact is I am quite happy in a movie, even a bad movie," admits Binx Bolling, the hero of Walker Percy's 1961 novel The Moviegoer. It's the same for a lot of us — cinema affects us in ways we don't always understand, and even the worst films appeal to our nostalgia and sense memories in manners that defy the normal rules of taste and logic. (Currently, on my DVR: La Dolce Vita, a classic I know I should see at some point, and Gymkata, a truly terrible 1985 martial-arts flick I've watched a dozen times.

To speak with Ryan Murphy about his show American Horror Story is to hear this declaration repeatedly: "She classes up the joint."

Murphy is referring to his star, Jessica Lange, who recently won an Emmy for her role in the show's first season. If you've been a fan of Lange's film career, from Tootsie to Frances to Blue Sky, you might wonder why this treasure of the American theater, this two-time Oscar winner, is slumming in a lurid cable TV horror show.

Long before singer and pianist Michael Feinstein became famous in his own right, he had the privilege of working closely with legendary songwriter Ira Gershwin, as his archivist and cataloger. In his new book, The Gershwins and Me: A Personal History in Twelve Songs, Feinstein writes firsthand about the musical world of the American composers and brothers, George and Ira Gershwin.