In stories by four noted authors, this year's edition of Hanukkah Lights showcases some of the program's most touching and insightful moments: Two teenagers find the formula to bridge a bitter family divide; the life of a cynical young reporter is changed by a single mysterious encounter; a reluctant grade-school student stands up for his heritage, and is wounded in the line of duty; and a despairing mom reconnects with her distant yet devoted daughter. Susan Stamberg and Murray Horwitz bring these generation-spanning tales to life.
Originally published on Fri December 7, 2012 1:22 pm
Bag-in-the-box wine doesn't have the classiest of reputations. It's usually cheap and in the past at least, has been aimed at less sophisticated consumers. But in recent years, boxed wine has tried to buck the stereotype, whether by gussying up the product packaging or simply putting higher-quality wine in the box.
Our first topic on the show this week follows indirectly from a correction we received about the current status of Andrew McCarthy: we talk about second acts (they do exist in American lives, you know), from child actors who now make cool videos and write great books to the complex question of whether going from
Frederick Rickmeyer, our hats are off to you and your note-taking ways.
Shortly after the turn of the last century, Frederick started documenting his wife's recipes on the blank memoranda pages of a cookbook. He included titles like My Wife's Own Original Spanish Bun and comments like "as good as ever," along with the ingredients and dates.
In Hyde Park on Hudson — a sly, modestly subversive dramedy about a crucial weekend meeting between England's King George VI and American President Franklin D. Roosevelt on the eve of World War II — the diffident young monarch (Samuel West) confides his frustration over his lifelong stutter while the two men enjoy a postprandial drink expressly forbidden by their womenfolk.
There's nothing particularly special about Edward Burns' wry family drama The Fitzgerald Family Christmas –-- but that makes it something of a relief amid the avalanche of overlong, big-ticket prestige films that comes tumbling into theaters this time of year.
You've probably seen some version of this story before: A crotchety and unreliable old man, long estranged from most of his family, attempts desperately to reconnect with them on Christmas Day. It's urgent, because he's harboring a Secret with a capital S.
Based on Beth Raymer's memoir, Lay the Favorite has a cheeky, double-meaning title that sets up the story and the irreverent tone with impressive efficiency; the reference is both to the gambling practice of betting for the favorite and to the heroine's generous sexual proclivities.
Everyone gets roughed up pretty bad in Deadfall, a pop-Freudian thriller set in Michigan's north woods. But nobody comes off worse than the out-of-towners: Australian star Eric Bana and Austrian director Stefan Ruzowitzky.