As an investigation into American municipal corruption, Broken City is, well, damaged. But as an opportunity for hard-boiled types to trade threats, blows and caustic banter, this modern-day noir works reasonably well.
The story begins in a New York housing project, where scruffy undercover cop Billy Taggart (Mark Wahlberg) has just dispatched a felon. The victim had it coming, it seems, but that doesn't mean the shooting is strictly legit.
Bruno Dumont just wasn't made for these cinematic times. Rather than cajole and flatter his viewers, the French filmmaker intentionally alienates and mystifies them. Like his five previous movies, the new Hors Satan is stark, strange and uncompromisingly personal. It's also vivid and unforgettable.
Writer Kevin Smokler spent a good majority of 2012 rereading the books he was assigned back in his high school English classes. He called up some of his former teachers and put together a list of books to revisit.
He looks back at his 15-year-old self and sees a "pretentious," somewhat "idiotic" teenager who was able to pass his classes, but who really missed the themes at the heart of most of the books.
Let's bring up our next two fearless contestants. We have Andy Kravis and Sara Manaugh.
EISENBERG: Andy, you're a bit of a geek. You parody pop songs with law school related lingo. What's up with that?
ANDY KRAVIS: That's right. I'm in the Columbia Law Review, which sounds just like the Columbia Law Review, the journal, except way better and a lot more fun. We write parody words to popular songs, and they have a law theme. And nobody finds them funny except for law students.