On Sunday, Venezuelan President Hugo Chavez faces his most serious election test in 14 years of power. Though he has easily beaten his adversaries in the past, Chavez now confronts a 40-year-old former governor who has been electrifying the crowds.
The stakes are high. If Chavez loses, it could mean the end of his socialist experiment in the oil-rich nation.
In speech after speech, Chavez is like the Chavez of old — bombastic, loud, defiant, with grand dreams about projecting Venezuelan influence worldwide.
Among the 23 recipients of the MacArthur "genius" grants this past week: an economist, a mathematician, a photographer, a neuroscientist, and a Boston-based stringed instrument bow maker.
Benoit Rolland acknowledges that the violin reigns supreme as the star of the strings, capable of fetching millions of dollars at auction. But what about the bow? "A violin with no bow is not a violin, that's clear," says Rolland.
When we get an early glimpse of Harry Copeland, he's falling in love in an instant, with a girl he sees on the Staten Island Ferry. Her hair "trapped the sun and seemed to radiate light," he writes, "and with New York in 1947, when it brimmed with color, light, drama and a babble of voices that reminded him of the world he fought to save as a paratrooper in World War II."
An unmanned U.S. Predator drone sits on the tarmac of Kandahar military airport in southern Afghanistan in 2010. The U.S. has been using drones in Pakistan for years. The Pakistanis initially claimed the drone attacks as the work of their own military, but the strikes have become a source of friction.
The U.S. has been carrying out drone strikes in Pakistan for some eight years, but it's done so under a policy that has emerged piecemeal over that time.
"It started in 2004, when drones were really an oddity," says Daniel Markey, a senior fellow at the Council on Foreign Relations. He was on the State Department's policy planning staff when it all started during the Bush administration.
Retailers across the country expect to hire hundreds of thousands of extra workers this holiday season to help with the anticipated spike in sales. Retail workers who have been hustling year-round for more hours are looking at that news with a jaded eye — because the vast majority of these seasonal jobs will disappear after December, sending many of these workers back scrounging for more work.
With a 17-hour workweek, Onieka O'Kieffe is left with a lot of time on her hands. Too much time. She said she very often sleeps 12 hours a day just because she can.
Don't try to pigeonhole Josephine Foster. She has recorded albums of psychedelic rock and Tin Pan Alley, music for children, blues, Spanish folk tunes, 19th century German art songs and a song cycle based on the poems of Emily Dickinson. Although her soprano may be a little unusual, it's arresting.
Foster recently released a new album, Blood Rushing. She spoke with NPR's Scott Simon about finding her voice, collaborating with her husband, singing at funerals and embracing small-town life.
Originally published on Sat September 29, 2012 3:17 pm
SCOTT SIMON, HOST:
This is WEEKEND EDITION from NPR News. I'm Scott Simon. Former New York Times publisher Arthur Ochs Sulzberger has died today. He was 86 years old. Mr. Sulzberger took over the New York Times in 1963 after his brother-in-law and predecessor died unexpectedly of a heart attack. Arthur Ochs Sulzberger was 37, the youngest publisher in the newspaper's history.
(SOUNDBITE OF ARCHIVED TAPE)
ARTHUR OCHS SULZBERGER: As I told my sister Ruth, said do I bade my first executive decision, decided not to throw up.
With the presidential debates coming up next week, we thought we'd turn once more to a man who tries to know everything, A.J. Jacobs, contributing editor at Esquire magazine and author of a number of books too numerous to mention for him to benefit from any bounce in his Amazon rankings. A.J. joins us from New York. A.J., thanks for being with us.
Writing's often depicted as a private act - scribbling, crossing out, then crumpling two sheets into a fireplace; trial, error and angst - all of which is best kept private. Silvia Hartmann is now writing on a kind of electronic stage - in an open document, a Google doc - so that readers can see her story appear line by line, edit by edit. Silvia Hartmann joins us from the south coast of England. Thanks so much for being with us.
SILVIA HARTMANN: Hi.
SIMON: So what are you trying to do here, write a novel?