Right now, as we near the end of the 2012 fall TV premiere week, there's a tendency for a sense of weariness to set in. So many of the new TV series are so bad this year, and not one of them is outstanding. It tends to get a little depressing.
But then you think about the rich bounty of returning series, and how good television drama has gotten lately, and there's cause to rejoice all over again.
I adore time-travel pictures like Looper no matter how idiotic, especially when they feature a Love That Transcends Time. I love Somewhere in Time with Christopher Reeve and Jane Seymour, The Time Traveler's Wife, even The Lake House with Keanu Reeves and Sandra Bullock in different years sending letters through a magic mailbox. So terrible. So good. See, everyone wants to correct mistakes in hindsight, and it's the one thing we cannot do. Except vicariously, in movies.
One night in 1984, British scientist Frances Ashcroft was studying electricity in the body and discovered the protein that causes neonatal diabetes. She says she felt so "over the moon" that she couldn't sleep.
By the next morning, she says, she thought it was a mistake.
But luckily, that feeling was wrong, and Ashcroft's revelation led to a medical breakthrough decades later, which now enables people born with diabetes to take pills instead of injecting insulin.
Adams is also currently starring in <em>Trouble with the Curve</em> as a lawyer with the makings of a pro baseball scout.
Credit Warner Brothers
Amy Adams has played a fairy tale princess, a pal of the Muppets, and a curious home cook. She's currently playing Peggy Dodd (left), the wife of a charismatic cult leader, in the critically acclaimed film <em>The Master</em>.
After the global financial crisis hit in 2008, Pulitzer Prize winner J.R. Moehringer was so angry at banks, he says, he decided to write about the people who rob them — in the form of fiction, since he's not an economist.
"I thought it would be healthy to live vicariously through a bank robber at that moment that bankers were ruining the world," Moehringer tells Fresh Air's Terry Gross.
In his first historical novel, Sutton, Moehringer writes from the point of view of Willie Sutton, whom he calls the "greatest American bank robber."
Jazz multi-instrumentalist Sam Rivers, who died at 88 in December 2011, recorded with many trios in the 1970s. But his most celebrated trio was barely recorded at all. In 2007, it played a reunion concert — its first in 26 years.
Mindy Kaling says she loves romantic comedies, even though she wrote last year in The New Yorker that saying so "is essentially an admission of mild stupidity."
Her new Fox TV show, The Mindy Project — which she created, stars in, writes and runs as co-executive producer — is essentially a serialized romantic comedy, where each week, viewers can check in with the character to see how her life is going, Kaling says.
Except she hopes her show is "actually funny," she tells Fresh Air's Terry Gross.
Albums made by collections of professional studio players once had a bad reputation with the traditional rock audience. Such works were supposedly arid and chilly — more like the results of a board meeting than the recorded adventure of an organic group of fabulous friends. Some music fans may still feel that way, but they are few. Nowadays, a tight-knit gaggle of session musicians like the Analog Players Society gets points from traditionalists simply because the music is made by flesh and blood.
Given the glut of autobiographies, a provocative subject alone isn't enough to snag a reader's attention, although, admittedly, the title of Charles Rowan Beye's new memoir, My Husband and My Wives, is certainly arresting. It's Beye's charming raconteur's voice, however, and his refusal to bend anecdotes into the expected "lessons" that really make this memoir such a knockout.
Beye won me over in his "Introduction" when he admitted that, looking back at the long span of his life — he's now over 80 — the big question he still asks himself is, "What was that all about?"