Stephen Colbert loves music and loves to sing. That's why Fresh Air's Terry Gross asked him to bring a few songs that mean a lot to him and tell her why. For example, as a kid, Colbert discovered his first lesson about character acting through "King Herod's Song" from Jesus Christ Superstar, even though he thought the words were scandalous at first: "Oh, so you are the Christ? You're the great Jesus Christ. Prove to me that you're no fool. Walk across my swimming pool."
A scene from the early days of the fighting in Iraq in the spring of 2003. In one incident, three members of an Iraqi family were killed. A U.S. Marine involved in the shooting recently tracked down the family to ask for forgiveness.
Credit Laurent Rebours / AP
Dexter Filkins earned a George Polk award in 2004 for his coverage of Fallujah. His book, <em>The Forever War, </em>is about his experiences in Iraq and Afghanistan.
On April 8, 2003, in the early days of the Iraq War, the Kachadoorian family found themselves in the middle of a firefight at a major intersection in Baghdad.
They had approached the intersection in three cars and didn't respond to Marines' warnings to stop and turn around; so the Marines opened fire, killing three men and shooting a young woman in the shoulder, not realizing that the people in the car were civilians.
Ava DuVernay also directed the documentary <em>My Mic Sounds Nice: The Truth About Women in Hip Hop</em>.
Credit Liz O. Baylen / Contour by Getty Images
When her husband, Derek (Omari Hardwick), is sent to prison, Ruby (Emayatzy Corinealdi) must decide whether to wait for him or move on. In her research for the film, director Ava DuVernay interviewed many women whose loved ones were incarcerated.
In January, Ava DuVernay became the first African-American woman to win Sundance's best directing award for her second feature-length film, Middle of Nowhere. The film is about a young black woman named Ruby, who puts her life and dreams of going to medical school on hold while her husband is in prison.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
On his major-label debut Blak and Blu, you can hear the roar in Gary Clark Jr.'s blues guitar, and in his vocal throughout "Bright Lights." It's one of the few straight-up blues songs on what is essentially an introduction to one of the most highly praised young blues guitarists in recent times. While Clark comes out of a blues tradition, he's also a twentysomething who's taken in all of contemporary music.
<a href="http://www.baratunde.com/">Baratunde Thurston</a> is an American comedian and the digital director of <em>The Onion</em>. He co-founded the black political blog <a href="http://www.jackandjillpolitics.com/">Jack & Jill Politics</a>. He is also a prolific <a href="https://twitter.com/#!/baratunde">tweeter</a>.
In 1983, Berkeley poet and journalist Mark O'Brien wrote an article about sexual surrogates — women and men trained to help people with disabilities learn to use their bodies to give themselves and others erotic pleasure.
For O'Brien, the subject wasn't academic. After a bout of childhood polio, he had spent much of his life in an iron lung. He could talk, and tap out words on a typewriter holding a stick in his mouth. He could feel things below the neck. But he couldn't move his muscles.
As soon as Sherry Turkle arrived at the studio for her Fresh Air interview, she realized she'd forgotten her phone. "I realized I'd left it behind, and I felt a moment of Oh my god ... and I felt it kind of in the pit of my stomach," she tells Terry Gross. That feeling of emotional dependence on digital devices is the focus of Turkle's research. Her book, Alone Together, explores how new technology is changing the way we communicate with one another.
His public words have inspired millions, but for scholars, his private words and deeds generate confusion, discomfort, apologetic excuses. When the young Thomas Jefferson wrote, "We hold these truths to be self-evident, that all men are created equal," there's compelling evidence to indicate that he indeed meant all men, not just white guys.