Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
In phe last decade, Joseph Gordon-Levitt has worked hard to establish himself as a serious actor, and he's been so successful it's easy to forget he came of age in the '90s sitcom 3rd Rock from the Sun. The guy has comedy chops, and he's exercising them again in a smart new movie he wrote and directed called Don Jon.
Jazz musician Vijay Iyer started playing the violin when he was 3, but when he was 4 or 5, he wanted to play another instrument: the piano.
"The piano was around because my sister was taking lessons, and so I just started messing on it and figuring things out little by little," Iyer tells Terry Gross. "I can't really pinpoint the beginning of it."
Way back in the 1950s â€” before people tweeted snapshots of their privates or posted their hookup diaries online â€” it was considered inappropriate to talk too much about sex. The guardians of culture treated it as something better kept in the dark.
Perhaps the most important military commander in Syria's civil war is not Syrian at all. He's Iranian Maj. Gen. Qassem Suleimani, and he's the subject of an article by Dexter Filkins in the current edition of The New Yorker.
We're kicking off a new fall TV season this week. A generation ago, even less, that was cause for major media focus, as new shows from the broadcast networks jockeyed for attention and position while old favorites returned with new episodes. Also back then, the Emmys were a celebration of the best, and clips from the nominated shows reminded you just why they were considered the best of the best.
After winning a National Book Award for her novel Salvage the Bones, Jesmyn Ward has written a memoir that's framed by the deaths of five young men in her life. The cause of each death was different, but she sees them all as connected to being poor and black in the rural South: