We like to think that if we eat our recommended daily allowance of fruits and vegetables, we're doing right by our bodies. Think again, says health writer Jo Robinson.
In her new book, Eating on the Wild Side, Robinsonargues that our prehistoric ancestors picked and gathered wild plants that were in many ways far more healthful than the stuff we buy today at farmers' markets.
Portland, Ore. tenor saxophonist Rich Halley's quartet album Crossing the Passes on his Pine Eagle label commemorates a week-long trek over the Wallowa mountain range in Northeast Oregon, where Halley's been climbing since he was a boy. We could talk about his dual obsessions with music and nature as cultivating a love of wide-open improvisational spaces; he's got one band that only plays outdoors. But all that climbing also has practical benefits: It builds lung-power.
When Alfredo Corchado went to cover Mexico for TheDallas Morning News, he was determined not to focus on drugs and crime but rather to cover issues critical to the country's future — immigration, education and the economy.
The FX version of the Scandinavian series The Bridge, like the Showtime version of the Israeli TV series that inspired Homeland, is a major revamp as well as a crucial relocation. With Homeland, the focus became American politics and home-soil terrorism. In The Bridge, premiering July 10, the setting is changed to the U.S.-Mexico border. This allows executive producer Meredith Stiehm, a writer-producer from Homeland, to deal with everything that relocation provides — including the white-hot issues of immigration reform and border security.
In the new Showtime series Ray Donovan, Liev Schreiber stars in the title role as a man who knows how to handle a crisis. It's Donovan's job to clean up the messes of Hollywood's rich and powerful while trying to keep his own personal problems under wraps.
A TV series is something of a new turn for Schreiber, who's been acting onstage and in movies for two decades. But playing complicated characters is something he's earned a reputation for, with roles in films like Defiance and The Manchurian Candidate.
One major source of pleasure in the music Eleanor Friedberger makes as half of The Fiery Furnaces is a matter of sheer density — the density of The Fiery Furnaces' musical ideas, the thick layers of words, lyrics that operate as dense sounds with meaning to be extracted from them.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
In December, the actor Dustin Hoffman sat in a box seat at the Kennedy Center as his old friend, Robert De Niro, saluted him at a celebration marking one of the highest accolades for an artist in the United States: a Kennedy Center Honor.
We're at the point when Johnny Depp's dumbest whims can lead to movies costing $200 million. I imagine Depp lying in a hammock on his private island and saying, "I've always wanted to play Barnabas Collins in Dark Shadows!" and it's done. Then he says, "I've always wanted to do The Lone Ranger — but as Tonto!" and it, too, gets the green light.