Daniel (Aden Young) finds a supporter in the devout Tawney (Adelaide Clemens) — if not among all of his other neighbors — when he's exonerated after spending more than 19 years in prison for a crime he did't commit.
Rectify, a new drama series from the Sundance Channel, wants to stand out from the pack — and it certainly succeeds at that. It's a six-hour limited series, more along the British model of TV than ours here in the States. If these first six installments catch on enough, the story will continue. If not, that's it.
And Rectify is so unusual a show, with its own deliberate pace and premise and approach, that it may not build enough viewership to keep going. But that doesn't mean it's nota worthwhile show, or a memorable one — because it is.
In December, Tom Cruise starred as the title character in the film "Jack Reacher." In "Oblivion," which opened on Friday, he plays another Jack, one of few humans left on an Earth devastated by an alien invasion. "Oblivion" is based on a graphic novel co-written by Joseph Kosinski, who went on to direct the film, and it costars Morgan Freeman and Melissa Leo. Film critic David Edelstein has this review.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
Fresh Air pays tribute to Boston with a 1988 performance by the late jazz pianist Dave McKenna. From 1981 to 1991, McKenna had a standing gig at Boston's Grand Dame Copley Plaza Hotel. He was also a loyal Red Sox fan. He died in 2008.
This is FRESH AIR and we're talking about what's happening in Boston. With me now is our TV critic David Bianculli. And David, usually when there's breaking news like this you're watching, like, a lot of TVs at a time.
DAVID BIANCULLI, BYLINE: Right.
GROSS: Trying to see how different networks are covering it. And you've done this for years. You've done this through many different crises. So how does this past week compare to other crises that you've monitored in the media in terms of the coverage?
This is FRESH AIR. I'm Terry Gross. Today we're following events in Boston. We have several guests standing by. Our first guest is Seth Mnookin, a professor of journalism at MIT. He's become famous for live-tweeting the events in Watertown last night. He's a contributing editor at Vanity Fair and was a senior writer at Newsweek. Seth, are you joining us on the phone there?
SETH MNOOKIN: Yes, I'm here.
GROSS: Thank you for being with us. So how did you end up being on the scene at Watertown last night?
War photographer Tim Hetherington said he thought war was wired into young men. And he risked, and ultimately gave, his life to capture these young men in photographs and video — in Liberia, Sierra Leone, Afghanistan and other war zones. Hetherington was killed by shrapnel from a mortar round while taking pictures in Libya in 2011, during the uprising against President Moammar Gadhafi.
In his cover story for the April 29 issue of The New Republic, "The Hell of American Day Care," Jonathan Cohn writes that "trusting your child with someone else is one of the hardest things a parent has to do — and in the U.S., it's harder still, because American day care is a mess. And about 40 percent of children under 5 spend at least part of their week in the care of somebody other than a parent."
Brad Paisley's Wheelhouse is yet another very good album from a singer, songwriter and guitarist who's made a bunch of them in a row. It features a slew of shrewd songs about finding pleasure and comfort in a frequently unpleasant, uncomfortable world. The music includes a bone-cracking song about domestic violence written from a woman's point of view, one that praises Christian values from the perspective of a jealous skeptic, and one that samples the great Roger Miller as deftly as any hip-hop production.