Susan Stamberg

Nationally renowned broadcast journalist Susan Stamberg is special correspondent for NPR.

Stamberg is the first woman to anchor a national nightly news program, and has won every major award in broadcasting. She has been inducted into the Broadcasting Hall of Fame and the Radio Hall of Fame. An NPR "founding mother," Stamberg has been on staff since the network began in 1971.

Beginning in 1972, Stamberg served as co-host of NPR's award-winning newsmagazine All Things Considered for 14 years. She then hosted Weekend Edition Sunday, and now serves as guest host of NPR's Morning Edition and Weekend Edition Saturday, in addition to reporting on cultural issues for Morning Edition.

One of the most popular broadcasters in public radio, Stamberg is well known for her conversational style, intelligence, and knack for finding an interesting story. Her interviewing has been called "fresh," "friendly, down-to-earth," and (by novelist E.L. Doctorow) "the closest thing to an enlightened humanist on the radio." Her thousands of interviews include conversations with Laura Bush, Billy Crystal, Rosa Parks, Dave Brubeck, and Luciano Pavarotti.

Prior to joining NPR, she served as producer, program director, and general manager of NPR Member Station WAMU-FM/Washington, DC. Stamberg is the author of two books, and co-editor of a third. Talk: NPR's Susan Stamberg Considers All Things, chronicles her two decades with NPR. Her first book, Every Night at Five: Susan Stamberg's All Things Considered Book, was published in 1982 by Pantheon. Stamberg also co-edited The Wedding Cake in the Middle of the Road, published in 1992 by W. W. Norton. That collection grew out of a series of stories Stamberg commissioned for Weekend Edition Sunday.

In addition to her Hall of Fame inductions, other recognitions include the Armstrong and duPont Awards, the Edward R. Murrow Award from the Corporation for Public Broadcasting, The Ohio State University's Golden Anniversary Director's Award, and the Distinguished Broadcaster Award from the American Women in Radio and Television.

A native of New York City, Stamberg earned a bachelor's degree from Barnard College, and has been awarded numerous honorary degrees including a Doctor of Humane Letters from Dartmouth College. She is a Fellow of Silliman College, Yale University, and has served on the boards of the PEN/Faulkner Fiction Award Foundation and the National Arts Journalism Program based at Columbia University's Graduate School of Journalism.

Stamberg has hosted a number of series on PBS, moderated three Fred Rogers television specials for adults, served as commentator, guest or co-host on various commercial TV programs, and appeared as a narrator in performance with the St. Louis Symphony Orchestra and the National Symphony Orchestra. Her voice appeared on Broadway in the Wendy Wasserstein play An American Daughter.

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Theater
4:23 am
Mon October 20, 2014

'Little Dancer' Musical Imagines The Story Behind Degas' Mysterious Muse

Edgar Degas' Little Dancer Aged Fourteen is on display at the National Gallery of Art until Jan. 11.
Collection of Mr. and Mrs. Paul Mellon/ Courtesy of the National Gallery

Originally published on Mon October 20, 2014 11:31 am

A century-old teenager is the focus of a musical and an art exhibit in Washington, D.C., right now. The National Gallery of Art is showing Edgar Degas' statue Little Dancer Aged Fourteen in conjunction with the Kennedy Center's Oct. 25 opening of Little Dancer, a new show inspired by the sculpture.

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Fine Art
3:32 am
Tue September 23, 2014

Now That's An Artifact: See Mary Cassatt's Pastels At The National Gallery

These pastel boxes originally owned by Mary Cassatt were acquired recently by the National Gallery of Art. Click here for a closer look.
National Gallery of Art

Originally published on Tue September 23, 2014 1:20 pm

Imagine if you could see the pen Beethoven used to write his Symphony No. 5. Or the chisel Michelangelo used to sculpt his David. Art lovers find endless fascination in the materials of artists — a pen, a brush, even a rag can become sacred objects, humanizing a work of art.

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Photography
3:21 am
Thu September 11, 2014

Minor White, Who Lived A Life In Photographs, Saw Images As Mirrors

Tom Murphy, San Francisco, 1948 gelatin silver print
The Minor White Archive, Princeton University Art Museum

Originally published on Thu September 11, 2014 12:53 pm

When we point smartphones at our kids or smile for a selfie, we're not necessarily thinking of photography as an art form. But in the early days of the medium, when big cameras and flashbulbs were lugged around and propped on tripods, art was often the goal. An exhibition at the J. Paul Getty Museum in Los Angeles focuses on the work of one such photographer, Minor White.

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Books
3:35 am
Thu August 14, 2014

For Would-Be Screenwriter, Enough False Starts To Fill A Book

Originally published on Thu August 14, 2014 9:25 am

There's a running joke in Los Angeles that everybody — from your dog walker to your dry cleaner — is writing a screenplay. Curt Neill is one of those aspiring screenwriters — a sketch comedian who has tried to write screenplays, but never finished one. "I've never even gotten close," he admits in Caffe Vita, an LA coffee shop where he writes.

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Architecture
5:07 am
Thu July 31, 2014

Best Seat In The House Of Worship: The Temple Hollywood Built

The Wilshire Boulevard Temple (pictured above circa 1939) was dedicated 85 years ago in 1929. Rabbi Steve Leder says, "This was the Los Angeles Jewish community's statement to itself — and to the majoritarian culture that surrounded it — that 'We are here, and we are prepared to be a great cultural and religious and civic force in our community.' "
Courtesy Los Angeles Public Library

Originally published on Thu July 31, 2014 1:43 pm

There's an 85-year-old building on Wilshire Boulevard in Los Angeles that has been a venue for the Dalai Lama, the LA Philharmonic and even scenes in Entourage and The West Wing. But extracurricular activities aside, the Wilshire Boulevard Temple is a house of worship. Recently refurbished, and given a preservation award by the Los Angeles Conservancy, the temple has a special place in the history of Hollywood.

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Fine Art
4:45 am
Tue July 22, 2014

With Swirls Of Steel, These Sculptures Mark The Passage Of People And Time

Albert Paley's iron and steel gates, archways and free-standing sculptures are eye-catching landmarks. His 2010 steel work Evanesce stands in Monterrey, Mexico. "American Metal: The Art of Albert Paley" is on display at the Corcoran Gallery of Art until September.
Agencia para la Planeacióndel Desarrollo Urbano de Nuevo León Courtesy Paley Studios

Originally published on Tue July 22, 2014 1:13 pm

Growing up in Philadelphia in the 1940s, Albert Paley played with blocks and Legos. And he loved wandering the streets, scavenging bottle caps, matchbook covers, cigar bands and "picking up pebbles that I thought were interesting," he recalls.

Now 70, the American sculptor has moved from pebbles to monumental gates. His iron and steel works adorn Washington, D.C., Philadelphia, St. Louis, Chattanooga, Tenn., and Rochester, N.Y. His gates, archways and free-standing sculptures are eye-catching landmarks.

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Fine Art
3:24 am
Thu July 10, 2014

For Paul Cezanne, An Apple A Day Kept Obscurity Away

Apples and Cakes (Pommes et gateaux) by Paul Cezanne, 1873-1877.
Christie's Images Limited Courtesy of the Barnes Foundation

Originally published on Fri September 12, 2014 6:30 pm

Pablo Picasso once said that the great 19th-century French painter Paul Cezanne was "the father of us all." Cezanne's distinctive brush strokes, and the way he distorted perspective and his subjects, influenced the cubists, and most artists who came after him. In Philadelphia, the Barnes Foundation is showing a group of still-life paintings by Cezanne.

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Movie Interviews
3:26 am
Tue June 24, 2014

The Turbulent Love Story Behind Yves Saint Laurent's Revolutionary Rise

Yves Saint Laurent works with a model at his Paris fashion house in 1965. A new film follows the designer's rise in the fashion world.
Reg Lancaster Getty Images

Originally published on Tue June 24, 2014 12:39 pm

In 2009, Forbes rated designer Yves Saint Laurent the "Top-Earning Dead Celebrity" of the year. (Surely a bittersweet distinction.) Now, Saint Laurent's success — and how it was shaped and fed by his lover and manager Pierre Berge — is the subject of the new film Yves Saint Laurent. In it, their relationship is both interactive and supportive.

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Fine Art
3:08 am
Thu June 12, 2014

Meet The Models: Exhibit Explores The People Behind The Paintings

In 1930, Grant Wood had his sister Nan pose for American Gothic. "The public reaction to the painting was so rough on her that her brother Grant felt bad for her," curator Elizabeth Botten says.
Art Institute of Chicago, Friends of American Art Collection AP

Originally published on Thu June 12, 2014 2:17 pm

An artist friend, Virginia Isbell, once asked me to pose for a quick pastel sketch in her Paris studio. I was flattered — and amazed to be on that side of a work of art. Never have I been looked at so intently, except by a parent or a lover. I was being fixed, examined, absorbed. And, for all the intensity, there was absolutely nothing personal about it.

I was an object to be replicated. Her eyes went from my face to her sketchpad, my nose, my eyes, mouth, chin — sketched in pastel in 20 minutes. It was fun. But it felt as if something had been taken from me.

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Fine Art
2:56 am
Thu May 29, 2014

As Portraits Became Passé, These Artists Redefined 'Face Value'

Joan Brown's 1970 Self-Portrait with Fish and Cat is the first image you see at the National Portrait Gallery's "Face Value" exhibit.
Estate of Joan Brown Courtesy of George Adams Gallery/National Portrait Gallery

Originally published on Thu May 29, 2014 1:34 pm

"Walk softly and carry a big fish" was one curator's take on a humorous self-portrait of a tall woman, holding an enormous yellow fish and a paintbrush, with a black cat lurking below.

Bay area artist Joan Brown's image is the first thing you see at a new National Portrait Gallery exhibition called "Face Value: Portraiture in the Age of Abstraction." Brown's painting, like so many in this Smithsonian show, is powerful and funny.

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