Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he writes the advice column The Good Listener, fusses over the placement of commas and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the weekly NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, All Things Considered and Morning Edition, on which he earned the distinction of becoming the first member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity Of The Cockroach: Conversations With Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the book This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children, his girlfriend, their four cats and a room full of vintage arcade machines. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

Matt Pond PA has been churning out charming power-pop songs for nearly 20 years — a run that will extend to 12 full-length albums when the band releases Still Summer on August 11. Its arrival will mark a major milestone in a long and creatively fruitful career: Once tours for the new record have run their course, singer-songwriter Matt Pond is effectively breaking up the band, dropping the "PA" and carrying forward with new projects.

Musicians cover each other's songs often enough that the results rarely qualify as news. But covering a whole album, song for song? That's a labor of love ambitious enough to warrant attention.

Saintseneca writes dark, rivetingly mysterious, painstakingly crafted songs that somehow retain a sense of mischief. Even when the Ohio band incorporates exotic instrumentation into moody ruminations on consciousness, the result can still convey all the pleasures of a three-minute power-pop anthem.

When the Texas band Bedhead got the box-set treatment in 2014, the reissue provided an excellent chance to revisit the recorded legacy of Matt and Bubba Kadane, who've spent the last quarter-century experimenting within a precise, deliberately paced sound.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Julia Jacklin doesn't need much accompaniment: If you were to hear the Australian singer-songwriter's unadorned voice, say, echoing at the top of a stairwell, you'd most likely climb to where it leads without a second thought. Jacklin's full-length debut, last year's Don't Let The Kids Win, knows just when and how to lean in to this simplicity, surrounding her with spare instrumentation that keeps that voice in the center of the frame.

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