Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he writes the advice column The Good Listener, fusses over the placement of commas and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the weekly NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, All Things Considered and Morning Edition, on which he earned the distinction of becoming the first member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity Of The Cockroach: Conversations With Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the book This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children, his girlfriend, their four cats and a room full of vintage arcade machines. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

Like many musicians, Okkervil River's Will Sheff responded to the end of 2016's contentious election season by hunkering down to write songs. It'd only been a few months since Okkervil River had released Away, a somber and mournful reflection on hard transitions, from the passing of Sheff's beloved grandfather to some major turnover in the band. So he'd already been neck-deep in re-examinations of his life in the aftermath of monumental change.

A quick scan of the headlines reveals, for those who'd let it slip their minds, that the world is essentially an exploding toilet of governmental crisis and global conflict. A quick scan of tomorrow's headlines will likely reveal, for those who dare anticipate them, an entirely new set of threats and catastrophes. The old ones won't have resolved themselves, mind you; they'll merely have been joined by a fresh set of nauseating calamities, each landing in our lives with the shudder-inducing plop of a full diaper dropped off a tall building.

For Tunde Olaniran, art is about big ambitions, bigger ideas and the relentless pursuit of joy and comfort within his own skin. The Flint, Mich., native's bold and wildly dynamic 2015 debut Transgressor announced him as a playful multi-hyphenate provocateur who sings, raps, writes and choreographs from a vast well of creativity.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Austin singer-songwriter Mélat Kassa used her hometown's recent SXSW music festival as a springboard to reach new fans from around the world. Mélat, who performs under her first name only, crafts a smart and stylish sound that's inspired by a mix of contemporary American R&B and Ethiopian pop. At the Austin Convention Center's Radio Day Stage earlier this month, she performed her standout single "Push" with the help of a stripped-down live band.

SET LIST

  • "Push"

We don't always delve into music on Pop Culture Happy Hour, but this year's South By Southwest music festival gave us a nice opportunity to spread around a few recommendations. I'm already renowned for never shutting up about the six-hour playlist NPR Music calls The Austin 100 — which, it turns out, you can still stream and download in its entirety until March 31 — but what we've got here is a slightly more digestible discussion of 2018's SXSW highlights.

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